Cut Saison 2

Indonesian law stipulates that all films must go through censorship before any public screening in Indonesia. August 2014. The director and producer of Blind Pig Who Wants To Fly submitted their film to the LSF. After a long-winded and corrupt bureaucratic process, the LSF's final verdict for the film was "Rejected with (Notes for) Revisions". The filmmakers requested a hearing with the LSF committee, which was eventually unsuccessful in producing a clearer understanding of the LSF's reasons for rejection.

The story of Sasaki Kojiro, a young swordsman, and his quest to train under master Seigen and develop his own style.

animated and storyboarded by one person over three years, this rough Work in Progress cut gives an incoherent but hilarious peek at a low budget animated comedy!

The Cortez brothers rob a bank and flee beyond the Mexican border. On their trail are various people, each for a different reason: Sheriff Fulton is sent by the robbed bank to recuperate the money; Django, a head-hunter, is after them for the reward money; Pickwick is after a saddle stolen from him by the Cortez brothers; Pedro and Dolores, saloon owners, also would like to have the loot.

Haegang has been making indie films for 10 years and is preparing his first full-length film. Unfortunately, he is in trouble as his girlfriend and old colleagues turn their back on him. The conflict deepens when he meets new producer. He decides to take an action for a cut which he wishes to maintain.

Two sisters , Daughters of Mega Star singer Judy LoveHeart find themselves fighting each other over their mother inheritance money that’s tied up with the record label and all the mother ask the two girls to do is finally be nice to each other and have a piece of cake together.

Yong-pal has an unsatisfactory night with his girlfriend Amy and he goes to a sex therapist called Ban-hee to recover things in his relationship. Through the intimate 'therapy' he gets with Ban-hee, Yong-pal is confident that he's better and goes to see Amy. They have a hot time and they are content with each other but Yong-pal heads to see Ban-hee once again...

In the dead of night, a lone archivist is terrorized by a sinister creature that has manifested out of a silent film that he is watching.

Corona lockdown forces Salla to cut her partner’s hair without any earlier experience. How bad will it turn out?

Mrs. Reyhan makes preparations for the reporter woman who wants to interview with her. Reporter women wants to search for the incidents Mrs. Reyhan went through in the past. Mrs. Reyhan goes to kitchen to bring something to drink for the reporter.

You're Cut Off! is a VH1 reality show that premiered on June 9, 2010. It features nine spoiled young women who thought they were going to be featured on a show called The Good Life. They are surprised instead to be informed that their families have cut them off from their money due to their spoiled ways, will be required to participate and pass an eight week rehabilitation program in order to be taken back, and that the series will chronicle this process.

Two sophisticated jewel thieves join forces to steal $30 million in uncut jewels.

Director's cut of Kamen Rider × Kamen Rider W & Decade: Movie War 2010.

Laly and Julia's girls-weekend-out with their flings rapidly turns from an idyllic escapade into a hellishly long nightmare when they discover that the guys' intentions are anything but good. When they realize they might be in trouble, it will be too late before the terror unleashes and forces the girls to survive the night all alone, with no others there to help them escape.

This film is the fifth in a series of documentaries “The history of Perm cinema in faces.” The history of Perm animation began approximately in 1965, when Svetlana Mozhaeva created the first hand-drawn cartoon "Seven I". Gradually the animation workshop got time-lapse filming equipment and a staff of artists. The collective portrait of Perm animation is built with the participants’ stories from the “Permtelefilm” period of the distant 60-80s of the last century.

A son returns to his parents' home for one weekend to talk to them about his sentimental and sexual situation. A desire to be recognized, to be loved, and to create a sincere and true relationship.

Half-cut is a wondering processes about the efficiency of public transport strikes made in Portugal during, the so called, period of financial crises. Taking some issues to a certain degree of absurdity, another way of reclaiming work conditions is proposed. However, there is no way to go through it empirically, this struggle happens in a sound/image juxtaposition. Due to this conditions, new problems arise: the sound and the text start to shape the content of the image. The outcome of this process is reflected in a short sequence of a passing train.

A mutilated and grotesque woman’s body chases after a man. The combination of the photomontage and text represents women’s labor, expressed through uniforms and clothes, and women who were sexually objectified, conveying feminist discourses and disciplines. The chased man never understands the existence or content of the images and texts. The blunt presentation of women’s unheard voices and objectified bodies, and the excessively-visualized images, demand immediate introspection.

The story of a young woman going through a turbulent time in her life, both in her career and love life. However, the failures she faces lead her and the filmmaker to reminisce about all the past experiences they've been through.