Cinema Europe The Other Hollywood Saison 1 Épisode 1

This documentary follows Danish prime minister Anders Fogn Rasmussen in the fall of 2002, during Denmark's Presidency of the Council of the European Union. He negotiates the expansion of the EU in Eastern Europe.

The two Manchester United legends who are back together after 10 years! Park Ji-sung, a "junior fool," and Evra, a "just a fool," meet European Korean leaguers to inspire and support them!

Questions the myths and unravels age-old clichés about ancient cultures.

A short and touching documentary about the lives of 5 women who had cancer. Part of a bigger project set to interview women around the world.

The filmmaker Julián Pintos and his alter ego find themselves confined to their isolated home in the countryside during the pandemic ravaging Europe in the 21st century and embark on a strange journey of initiation, in which they will meet the mysterious Silver Mask (Myriam) and the two disturbing theatre masks, muses of comedy and tragedy, split into Esther and Diana. The characters are trapped in an enigmatic time tunnel and their only escape is to find the heart of Europe, recalling their respective pasts linked to the Old Continent and bringing to the surface the deepest ghosts and fears that each of them hides.

An artist. A painter. The enfant terrible of the old Soviet and now post-communist 'petit bourgeois' society. A mother of three, no husband, and every child from a different father. The children's ages range from 4 to 20 years. The artist herself is 43 at this time. A happy and free person at all times under any regime. A young, beautiful, photogenic being. Temperamental, garrulous and witty.

“I was Hamlet. I stood on the coast and spoke with the surf BLABLA. At my back, the ruins of Europe.” In free dive, in the manner of the Ophelia/Electra of Heiner Müller’s Hamletmachine (1977) which accompanies the story plot, we set out into the ruins of a Europe set adrift. Guided by Faustine du Couvent, a young Parisian woman with a dark and poetic energy, The Ruins of Europe is an eminently personal object that unfurls nervously, with the aid of archive television images, in order to draw the portrait of a society that is falling apart.

The story of the film is set in a coastal town along the Mediterranean sea. Here is a popular tourist attraction „Balcon de Europa”. Like from the balkony we are observing a mini model of our world, where the routine of one person take place in the background of massive feasts.

Located on the shores of the Baltic Sea, between Poland and Lithuania, Kaliningrad is a piece of Russia in the heart of Europe. A curious territory, isolated from Moscow after the fall of the USSR, today transformed into a military fortress facing NATO. In Kaliningrad, headquarters of the Russian Baltic fleet, there are 30,000 soldiers, hypersonic missiles and nuclear capability.

A reporter travelling in the Balkans is trying to gain a deeper understanding of the region, which is a melting pot of cultures, languages and religions.

The story speaks about the people who want to work, or want to change the world into a better place to live. All the characters in this film have no existence outside the imagination of the author and are inspired by the Balkan way of living. This is a story about the illusions of the Don Quixotes of the Balkans and their life style. Georgij is one of these. He is young, enthusiastic, well-mannered and a charming and committed teacher with an invincible spirit who wants to bring all innovations from the New World, which is Europe, to the Balkans. He opposes traditional Balkan skepticism and does not accept the status quo.

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

Seventy years after Auschwitz’s liberation, this documentary film collection sets out to examine a story whose roots begin before the dawn of the 20th century - a story which is still being played out today. Divided into 8 episodes, the films will travel back to the roots of the genocide.

As the UK gears up to decide its future in the June referendum, Nick Robinson explores the troubled history of the UK's relationship with Europe.