Bus

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

Three organizations were in competition for a sword kept by Bu Liang Ren, a police agency loyal to the crown, that would unlock late Tang Dynasty's vast hidden treasure. The guardians of Li Xing Yu and Lu Lin Xuan were killed in one of the cross fires, but the kids were saved by Yang Shu Zi, the keeper of the sword, and taught to fight. One day, Yang Shu Zi disappeared and the kids went in search for him. Along the way, they were hunted by agents from the three organizations who intended to get hold of the sword through them.

In the middle of rush hour traffic in Lima, a young student refuses to give up his seat to an elderly woman.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

The story is the emotional and traumatic journey of Parveen un Nisa, a woman living in a post modernist society, where individuals are valued on the basis of their skills and their socio-economic achievements.

The ultimate disaster film parody. A nuclear-powered bus is making its maiden non-stop trip from New York to Denver. The journey is plagued by disasters due to the machinations of a mysterious group allied with the oil lobby. Will the down-on-his-luck driver, with a reputation for eating his passengers, be able to complete the journey?

A bus picks up some passengers on Friday morning to travel the route that brings them closer to the weekend, with their plans, their reflections, and their fears. The same bus will pick them up on Sunday afternoon to return them to where they came from.

Detective Wikkobus suffers from 'the blues'. After fifty-five years of letting other people dictate his life, without having taken any initiative, only hanging around the blues café, drinking whiskey and searching for things that don't matter anyway, he has had enough of it. Wikkobus decides to go and find himself because, as he knows: 'Hell is what you make of it.'