Blossom

Nazmi and his wife Cicek are a Turkish family living in Germany with their daughter Mevsim. Nazmi constantly beats his wife Cicek. For this reason, the social state institutions of Germany take Cicek and her daughter Mevsim under protection by intervening. Placed in a women's shelter, Cicek meets a woman named Esra and becomes friends. In fact, this friendship progresses from the shelter to renting a house together. However, when they get into the taxi of a taxi driver named Asaf, unexpected things will happen to them.

Pai Niang Niang (1972)—was thought to have not been captured on film and faded into obscurity. This work used the Broadway musical model to adapt the famous Chinese myth Legend of the White Snake. Bringing together Eastern and Western theatrical styles, the production combined Chinese traditional music, dance, costume and stage design with modern Western concepts. Despite this bold attempt, the resulting work was ahead of its time and was not a commercial success. This year in April, however, a partial film record of the performance was miraculously discovered. The restored surviving footage has become the finale of this documentary, Pai Niang Niang: The Last Osmanthus Blossom, bringing the saga to a flawless conclusion.

A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.

Hoping to bring their dead mother back to life, three brothers build a time machine in this visually decadent, bizarre and altogether mesmerizing head-trip.

Princess Elena has a passion for floral composition, but her hobby has to remain a secret, since it is seen as « not suitable for Royalty ». While in London on a diplomatic tour, she signs herself up in a floral competition using a fake name, and meets Adam, a journalist covering the event…

Between the present and the past, war and peace, Sashko and Gala navigate their stormy retirement together.

Harriet Blossom is married to Robert Blossom, a businessman who'd rather spend the night at his bra factory than at home with her. One day, Harriet's sewing machine breaks, so Robert sends a repairman, Ambrose, to fix it. It's lust at first sight for Harriet, who convinces Ambrose to hide out in the attic for a tryst. When her new beau shows no desire to leave, the pair begin a years-long love affair right under Robert's nose.

A film by Farshad Golsefidi

The movie "Peach blossom" "borrows" the pink color of the peach blossom to talk about the colors of life. Pink has no place in the soul of humans living in the modern urban, who desire the material enjoyment. They are Thu, an astute young woman with wild passion; Quy, a student who has burning desire to reach the Western civilization; or Thanh a romantic but spineless archaeological researcher... The profound meaning of the movie is wrapped up in its last scene - inside the towering apartment buildings, the peach blossom still remains its gorgeous pink despite such unprecedented storm and painful tragedy in a rustic family.

“I never got to feel the warmth of a loving family.” That is what Seishiro notes down in 1948, who was adopted as a child by the idealistic Eichiro. In 1980, Izumi works at a bank and she lives with her mother Ito. Twenty-two years later, in the evening on a winter night and the day before Izumi is to marry, her mother tells Izumi about her late father's dream, Seishiro. Her father's dream was of Izumi's marriage. Izumi reminisces about her loving father. What happened in the meantime? In reversed chronological order this movie tells a story about a man who had much to give and what he got in return.

Early japanese horror film from 1909. From the 1759 kabuki play, in which Kiyo-hime transforms into a giant serpent.

At the ripe age of 102, Chinhua Ho Chen, “Miss Golden Blossom”, takes center stage. In 1938, her voice graced the tracks of “Endless Spring” and “The Camellia Lady”, released by Victory Records, under the stage name “Yingying”. She also stands as the first among renowned female singers of Taiwan’s popular ditties. Through Miss Chinhua, we hear the echoes of the once renowned singer Yingying, preserving the distinct voices of Taiwan in popular music and songs.

Jacinta lives with her mother Alma, who has now brought grandmother Soledad home, to look after her, as she's had a cerebral stroke. Jacinta lives Soledad's presence as an invasion of her intimacy, and feels jealous of the attention Alma pays to her grandma, leaving Alma more and more worn-out.