Blessing Of The Campanella Sais

The scarred history of the Northeastern region of Thailand, in the years 2444-2445 B.E. (1901-1902 C.E.), a momentous uprising occurred in the city of Ubon, situated within the governance of the Siamese state. The Phi Bun rebels, wielding both power and spiritual beliefs, gathered people to resist the ruling authority. Consequently, the state had to confront the Phi Bun to eliminate the threat to Siam's security and restore goodness to the land.

Hadian (male, 25 years old) & Anin (female, 25 years old) are lovers who love each other. One day, Anin reported that she was pregnant with Hadian’s child. Anin forces Hadian to marry her as soon as possible without anyone knowing before her pregnancy gets bigger. To get married, Hadian still does not have proper preparation, until finally he chooses to sell his house and motorbike. At the very least, to cover all wedding expenses temporarily.

Patricio Escobar portrays the long relationship between the Catholic Church and the Argentine state.

Melina and Vivi live out their romance not minding social conventions and tomorrow. Their final separation comes through an explosion of lust and sorrow.

The film tells the story of the protagonist "Yellow River", an outstanding young man in Beijing, responding to the government's call and staying in the village to his hometown to help his father and elders start their own businesses and get rich. Driven by the "Yellow River", the villagers actively breed Yellow River carp, plant sweet waxy corn, cherry tomatoes, raise geese, and establish breeding cooperatives to expand the scale of breeding.

Follows the story of the amorous passion that arose between two young people brought up as brothers and whose wedding is opposed by the family patriarch.

Law Hing is forced by her stepmother to marry the dumb son of the Tang family. Another girl Au To is forced to marry Ma Siu-fuk, son of the rich Ma family, to pay off her father's debts. On the wedding day, To's lover See Fuk-chau returns from Vietnam. Deeply in love with Fuk-chau, To decides to go to the Ma family to decline the arranged marriage. To avoid the Ma elders and her father from losing face, she begs Siu-fuk to stage a pretended marriage. As the wedding ceremonies proceed, To's bridal sedan collides with Hing's in the street. The carriers lock in a row and a confusion reigns in which the brides take the wrong sedans. To is mistakenly taken to the Tang family, while Hing is sent to the Ma family. Although Siu-fuk is attracted to Hing, he agrees to send her home. The four families attempt to settle the case in court. The judge rules that the previous arrangements are but trades and declares them null and void. Fuk-chau and To can now fulfill their wish.

It showed how most of the people living in Mongolian society, especially some young people, live a pitiful, cowardly, helpless and miserable life.

It tells about the life and work of D. Nagatsdorji, the founder of modern Mongolian literature, writer, poet, and public figure in the 1920s and 1930s.

When the young man was honest I had to leave to take care of my grandmother. But he inherited a dormitory from his grandfather. So he had to turn to take care of business. Ready to be a drunkard With an arrogant young woman Stories of tenant chaos occur every day. The same goes for all the plans of evil relatives who want to seize this land. So he had to use Dhamma and have her help him solve the problem. Until love gradually builds up in the end.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

There are approximately 60 million evangelicals in the United States. They represent by far the largest religious group and should not be underestimated politically as voters. They take the Bible literally and believe that God created the world in six days, that the world only existed for 6,000 years, and they dismiss scientific knowledge as lies. They fear Muslims and atheists, homosexuality and permissive life. Alcohol, abortion and sex before marriage are taboo. In large parts of the United States, secularism, the separation of church and state, are being removed more and more. The filmmakers of the documentary give a frightening insight into a strange world and show a supposedly modern country, in which large parts of the population have a level of intellectual development as in the Middle Ages and are as reactionary in their worldview as in Islamist theocracies.

A glimpse into the Mt. Banahaw spirituality of the Tagalogs in the Philippines. This is a journey to visit the spiritual sites up the holy mountain in Luzon, guided by Anthropologist Dr. Prospero R. Covar, the leading expert in the field of Filipino spirituality. It is also a personal recollection and reflection to unravel a belief system the filmmakers grew up with. The documentary celebrates the Filipino genius and the complex realms of beliefs they navigate in order to have a peaceful life free from want and difficulties, and to attain spiritual bliss and salvation in the “other“ life.

Short silent film.

Nathan Andrews is all grown up. As a young doctor, Nathan finds himself questioning his career choice, so he goes to his hometown to soul search and reconnect with his father. Once home, a blossoming romance with teacher Megan Sullivan and a fast friendship with student Charlie Bennett teach Nathan to live life in the moment and embrace the time he has with friends and family.