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This Rockpalast was recorded on 1st December 1976 in the Sporthalle Cologne and shows the inventors of the legendary "dual lead-guitar/twin guitar sound" with the classical line-up of the band from Andy Powell (guit., voc.), Martin Turner (bass, voc.), Steve Upton (dr.) and Laurie Wisefield (guit.) in captivating form and mood. In 1976 Wishbone Ash were at the zenith of their career. Their albums, from "Pilgrimage" to "New England", reached worldwide top positions in the album charts, were refined with silver and gold, the band was constantly on tour around the globe and tracks like "The King Will Come", "Warrior" or "Blowing Free" achieved cult status among fans of guitar-oriented progressive rock and are milestones in rock history. Characteristic of Wishbone Ash is their melodic, guitar-oriented rock, which is dominated by two electric guitars played in duet. In addition there is an almost ballad-like vocal style. This Rockpalast edition is a must for every Wishbone Ash fan!

In February 2018, Yo La Tengo played an intimate Pitchfork video showcase at National Sawdust in Brooklyn, debuting songs from their upcoming album There’s a Riot Going On.

Live at The Spectrum, Philadelphia, PA, December 18, 1987

This concert, recorded in 2010, marked Lionel Bringuier's début appearance at the Proms. This was not his first performance with either the BBC SO or with Nelson Freire however and it is immediately clear that there is already close understanding between all of these musicians.

Actor and musician Kôji Kikkawa and film director Takashi Miike collaborated for the realization and recording of a live concert at the Nippon Budokan before 10,000 people on February 1, 2005.

The video revolves around a forensic investigation led by a Spanish team made up of the judge Santiago Pedraz, court technicians, and a few witnesses in Baghdad.

You might mistake him for Kevin Keegan in the 1970's but it's actually Ren's favourite Scottish busker and Gerry Cinnamon protégé Dylan John Thomas singing to an adoring King Tut's crowd

The title says it all in this short instructional film.

The film presents a speculative exercise about the relation between ecological theories and sociologic, economic and management models. Such reflections are intercalated with tales about the ritual of anthropophagy in Brazil in the early 16th century, whose imaginary defines the film's visuals, be it microfilms of books and etchings, or museological and graphic material on Amerindian socio-cosmologies.

Robert Plant live

Tommy Emmanuel Live at Sheldon Concert Hall

In the rousing finale of this spirited performance, Pharoah Sanders puts down his tenor saxophone and sings over a bubbly calypso beat. His ocean-deep baritone voice is not dissimilar to that of the great Joe Williams, but he uses it sparingly, delivering just a few choruses before starting to dance in a manner that recalls Nelson Mandela's trademark two-step. He then eases his 67-year-old frame into a hearty slow-mo twist. This is possibly not what was expected of an artist commonly perceived as an avant-garde firestarter in the mould of Albert Ayler, and a committed disciple of the final phase of John Coltrane's career in the mid-60s.