Architecture At The Crossroads Saison 1, Streaming avec sous-titres en Français, architecture at the || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Hans Scharoun has built houses which show not only structural substance and aesthetic forms but also how human beings should live in buildings. This depiction can only be imaginary - like reading invisible writing on walls. Bitomsky's film looks at several of Scharoun's buildings.
The film arose from an encounter with Mario Botta during the 2013 Architecture and Memory exhibit held at the Charlotte, North Carolina Bechtler Museum of Modern Art which was designed by the architect. The exhibit gathered and then proposed to the public the Swiss architect’s most significant projects spanning the gamut from his first single-family homes, original expressions of the School of Ticino, to his large public buildings, libraries, theatres, museums, churches and synagogues which have been built across the globe and features more than 90 works. The film is a dialogue on the themes which characterize Mario Botta’s vision and practice: his relationship with history and the territory, the designing of collective spaces, encounters with the leading protagonists of the 20th century. The interview, conducted in Mario Botta’s studio in Mendrisio, is replete with photographic materials, designs and sketches which document his “spaces of memory”.
Follows architect Kazuyo Sejima's design and the construction of a new building at Osaka University of the Arts
An intimate portrait and chronicle of a techno-political war challenging how information is created and shared in the digital age. A 7 year document trailing the Federal battles, personal struggles, growing 3D gun community, and illicit criminal case plaguing Cody Wilson's fight for the 1st Amendment freedom to share code online. Code that happens to engineer guns.
This exhibition presents projects of relevance to contemporary Chilean architecture such as the reconstruction of the Pereira Palace in the center of Santiago and buildings that inhabit nature, located in the Atacama Desert and Torres del Paine, through the lens of 15 photographers Chileans and foreigners. The photographs in Winter: Images of Contemporary Chilean Architecture portray the construction and restoration processes of the architectural works presented. In parallel, these photographic images are accompanied by small screens whose content is audiovisual fragments, with records of the architectural processes. These films seek to contribute to understanding each of the architectural works even more.
The subject is the contrast between old and new Split. Journalist Duje lives in a new apartment in a large green skyscraper, but his heart is drawn to his childhood, where he meets old neighbors and for a short time experiences their sorrows and joys, witnesses their quarrels and misunderstandings, but also moments of togetherness and solidarity. Most of the action takes place in the common yard where the neighbors meet at every opportunity. The sudden illness of old Domina brings excitement into their lives and creates unusual complications that will bring changes to the peaceful everyday life of these good-natured people.
Documentary about Islamic architecture in six countries (Egypt, Jordan, Morocco, Turkey, Spain, and Lebanon)
Thousands of tourists come to Barcelona from far and wide to admire the work of the great architect, Antoni Gaudí. What they don't know is that many of the photographs they take home with them are of works by Josep Mª Jujol, a forgotten architect and the other great genius of Catalan Modernisme.
In this stunning multimedia presentation at a Canadian university, SF Bay Area architect, Richard Gage, AIA, provides a packed audience with a tough technical review of the overwhelming evidence of controlled demolition with explosives at all 3 WTC high-rise "collapses" - including WTC 7 - the 47 story high-rise, not hit by an airplane, which also fell at near free-speed on 9/11
An attempt to talk about death and loss by juxtaposing images of architecture with shots of cemeteries.
The most mysterious and significant phenomena in the history of mankind, the fate of people, the great secrets of great civilizations, unexpectedly revealed to us through the prism of architecture. Palaces and temples, lost in the space and time of the city.
Southern California’s Coachella Valley, including the communities of Palm Springs, Palm Desert, Desert Hot Springs, boasts hundreds of extraordinary midcentury modern homes, public buildings and commercial structures. Modern designers such as William F. Cody, Albert Frey, William Krisel, John Lautner, Richard Neutra, R.M. Schindler, Donald Wexler, E. Stewart Williams left their collective mark on this desert paradise. Desert Utopia: Mid-Century Architecture in Palm Springs traces the history of modern architecture in Palm Springs from the first bold forays into modernist design to the preservation challenges facing the region today. Director Jake Gorst’s film features rare archival images and footage as well as interviews with historians, homeowners and the architects who helped create this mecca of modernism.
The old world is gone. Our landscape bears scars. Entire cities have been levelled. Is it possible to regenerate the city without covering over the warnings of war’s aggressions? Or can these ruins provide a unique chance to reinvent the city thoroughly? The art historian Heinrich Klotz took precisely these questions, concerning the reconstruction of Germany’s historical districts after World War II, as the departure point of his practice.
'Make Do With Now' sheds light on an emerging generation of architects and urban practitioners in Japan. Largely entering professional practicefollowing the 2011 Great East Japan Earthquake and Fukushima nuclear di-saster, this generation is developing a range of critical, ecological, and social approaches that creatively 'make do' – with limited resources, found materials, and existing spaces – while seeking appropriate responses to the urgent problems of the present. Turning their backs on the traditional image of the architect-author, these practitioners are articulating a new architectural agency in working from the periphery, exploiting gaps in the system, and occupying new roles in the process that have previously been overlooked.
