All At No 20 Saison 1

Rahaf, Sara, Rawa and Afraa take a road trip through Europe. What unites them is that they had to leave Syria eight years ago because of the war. This journey is a coping with memories and traumas, but is also full of happiness and positive moments.

A slow and resounding dive into the punk movement, crossed by the experience of three bands from Curitiba in the manifestation of their culture, philosophy, expression, politics and, above all, a form of resistance.

A film about Hilde Döpfner, her mother, and their complex fantasy life. When Hilde seduces Gisela, the butch butcher, and brings her home to mom, the chemistry goes all wrong.

An old Director tries to rearm his vocational choir to continue singing Argentine popular music, in a context where the academies promote the Europeanization of music. Meanwhile,he is looking for a disciple to whom to leave his legacy.

An omnibus queer movie about three fathers with families. Part 1: ‘My Father’s Desire’ is about a father who feels desire because of his son. Part 2: ‘My Father’s Truth’ is about father and son, who are drawn to one man. Part 3, ‘My Father’s Secret’ talks about a father who finds a gay magazine in his kindergartener son’s bag.

Every person who passes through our life leaves a mark on ourselves, but none is as permanent as the ones left by the people we once loved.

A worthy attempt to illustrate the futility of war, and of racism in particular.

In the back alleys of Moscow, forgotten treasures lurk: Utopian buildings, built in the 1920s in the spirit of Russian constructivism. Ruins of another future, reflecting the hopes and aberrations of modernity. Aren’t the buildings calling out to us? The film follows three Muscovites who are struggling with the buildings’ heritage.

This film is about the new teaching method that Mohammad Bahman Beigi has used to teach to All Nomadic Children.

A group of elders travel back in time to reflect on their love life in a dialogue with today's generation.

A shoe salesman and a tailor respectively fall in love with two sisters, Yuk-sin and Yuk-ling, both reputed singers on the radio. The men devise various schemes to meet the two women. Fourth Aunt, the sisters' mother, treats the two women as commodities to be traded off to the highest bidder, greedily making money off their talents by arranging lucrative concerts. The shoe salesman and the tailor disguise themselves as rich men to get close to their dream lovers. Finally, the sisters are won over by true love.

A night like any other for a Snooker Bar cashier gets interrupted when she receives the visit of an old flame. What seems to be just a simple night for reconnection, suddenly has the possibility of turning into something greater…

A Russian girl, a Kurdish father. The father lives in Syria, in a town near the Turkish border. The girl joins him to meet her new family and... to find her lost roots. Everything moves forward in fragments, of time and of space. It is not only an aesthetic choice. It is a form consistent with the state of war, with the fragility of existences, with the capturing of reality by the body and by the spirit. But everything moves forward, in its way, carried along by a painful energy that obstinately perforates the borders.

Kwang-Ja Lee, a counsellor at ‘Lifeline Korea’ has been listening to anonymous people’s stories for 45 years. Every day, she is all ears to stories that cannot be shared anywhere else. Image and sound react to it and creates new reflective space that seems to be the bottom of one’s heart.

Everything resides in the mind of Lois, schizophrenic artist and a strong follower of Virginia Woolf, who says, "There is no gate, no lock, no bolt that you can impose on the freedom of my mind." The protagonist gives life to the story, confronting his lucidity to the difficulties that torment him: contradictions, achievements, joys and pains, which build a reflective and emotional language that accounts for the mysterious mechanism of the human mind.

The prolonged economic uncertainty forced even the local funeral service workers to explore various shortcuts to get more work for their parlors, which sometimes includes maintaining dubious connections with the local hospital staff. Zoki, one of the funeral parlour workers in Shtip (mid-size town in Macedonia), a charming and positive family man, is faced with many challenges while getting work for his company. But, the increased disloyal and dishonest competition started breaking Zoki’s spirit and have left him wondering if money is everything in life, after all?