Africa

Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

Documentary about religious customs in Brazil that stem from Africa.

Concert of Cuby & The Blizzards, recorded in South-Africa.

Meeting homophobic violence with visibility. African Pride is the story of those who are taking to the streets in South Africa's townships for demonstrations, protests and township prides.

Join Bill & Gloria Gaither and their Homecoming Friends for this live video celebration recorded in the magnificent Mosaiek Theatre in Johannesburg, South Africa.

75% of all enslaved Africans coming to America came in through Beaufort and the sea islands of South Carolina. This beautiful and picturesque tourist destination, by its unique history is the epicenter of the Gullah culture and the foundation of African American history; the result of the mingling of West African slaves with the plantation culture awaiting them in America.

The Boer Project can proudly present the documentary that tells the story of the Boer population in South Africa.

African Maestro is a documentary on Professor J. H. Kwabena Nketia, the most published and best known authority on African music and aesthetics

Skip Norman shot ‘On Africa’ after graduating from the German Film and Television Academy (DFFB). On the level of the image, we see tracking shots through West Berlin, information detailing the economic gains of colonialist exploitations, and photographs from West Africa, while the soundtrack shares facts about the continent’s conquest and decolonization. As Norman himself put it: “The starting point is the relationship between Europe’s prosperity and Africa’s poverty; Europe’s destruction of societies and cultures, and the simultaneous use of Christianity and racial theories as justification for a massive exploitation of the colonized.” ‘On Africa’ was first shown in 1970 and then broadcast on television by WDR in 1972. In 2020, the Harun Farocki Institut was able to digitize a 16mm print from the archive at the WDR.

Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the '90s.

A Namibian cowboy is beaten and left for dead in the vast desert, after standing up to a trans-national posse of brutal land-grabbers. However, things change when he's rescued by a mysterious gunslinger with reasons of his own to get even with the posse.

Produced and conceived by French filmmakers Jean Cocteau and François Villiers, with a screenplay by Langston Hughes, Rhythm of Africa takes a look at the special ceremonial dance of atonement in Chad. The heartbeat of the jungle, the day-to-day life in the modernizing village, and the bustling marketplace take on a hypnotizing rhythm of their own. A changing Africa asserts itself in a changing world.

Where previously an unbroken white self-confidence did not even allow the question as to the existence and function of the "other", the black African, to arise, nowadays an enlightened generation is attempting to cover up the difference in the assumption that the habit of ignoring race will be understood as a tactful, even generous liberal gesture. The outline of one's own soul, a "white negro". The film is an attempt to admit more identity, a feeling and searching for validity.

Africa: The Beat was filmed in Nzali, an enclave situated in the heart of Tanzania where the Wagogo live. Theirs is a unique musical universe. From the film's first frame to the last sound heard, each image takes us further into their daily reality while their music gradually engulfs us in a world of surprising sensations. Day and night, the passage of time and the seasons, nature and the elements, water, the importance of the word and the stories, the stages of life...all of this emerges from a pulsation around which every instant of existence is articulated. Filmed with rudimentary technical means, Africa: The Beat conjoins the perspective of a painter, the vision of a filmmaker and the sensibilities of two musicians. It does away with the concept of the voice-over, which conditions and invades the spectator's senses. Instead, the film permits the spectator to experience his or her own emotions, and bear witness to the essential place music occupies in life.

The tiny West African country of Equatorial Guinea was the target for a coup. Why? Oil & Gas. And lots of it. Storyville scrutinizes the plot and the motivations behind the attempted coup ex-SAS officer Simon Mann lead in 2004.

On October 30, 1969, Pete O'Neal, a young Black Panther in Kansas City, Missouri, was arrested for transporting a gun across state lines. One year later, O'Neal fled the charge, and for over 30 years, he has lived in Tanzania as one of the last American exiles from an era when activists considered themselves at war with the U.S. government. Today, this community organizer confronts very different challenges and finds himself living between two worlds — America and Africa, his radical past and his uncertain future.

Herbert Chappell's highly acclaimed original BBC Film is the story of a remarkable journey made by the composer and explorer David Fanshawe which inspired his celebrated work African Sanctus. The film retraces his musical steps up the river Nile to the source of the Nile's music. Featuring many of the original musicians he first recorded in 1969, Fanshawe explains the ethos behind his work and the process of composition. On a quest to find his African mentor, The Hippo Man, he ventures forth. The Updated Film, 1995, projects stirring and poignant images of Africa, This film combines authentic footage spanning 20 years, with Fanshawe's innovative score. We see glimpses of the performance with The Bournemouth Symphony Chorus, Choristers of St Georges Cathedral, solo Wilhelmenia Fernandez, conducted by Neville Creed. The film also introduces Fanshawe's new work Dona Nobis Pacem - A Hymn for World Peace.

Monty Banks becomes a car salesman and is shifted to Africa to sell one to King Obogeegee.

100 years after the Tulsa Race Massacre, more than 50 of Oklahoma's best hip-hop artists come together to create a commemorative album to honor the legacy of BlackWallStreet.