A Year At The Top

Saint Petersburg as the cradle of the 1917 October Revolution, Moscow as the birthplace of the Soviet Union in 1922: According to Lenin’s dictum “Communism is Soviet power plus the electrification of the whole country,” the mastery of the forces of nature and the exploitation of natural resources are demonstrated in impressive images – emphasising the independence and fraternity of all Soviet Republics.

A talk show with individuals involved in a best-selling product or a social phenomenon that caused a major boom. This program aims to dig up fresh and intriguing stories filled with surprises, discoveries, and emotions, preserving them for future generations.

Hello! Project's special annual year-end live concert to celebrate the new year, held at Nakano Sun Plaza. Disc 1 (125mins), Disc 2 (115mins).

Hello! Project's special annual year-end live concert to celebrate the new year, held at Nakano Sun Plaza. Disc.1 (124mins), Disc.2 (144).

The woman, who went to her boyfriend's house and witnessed the scene where he had an affair with a young student, is surprised, leaves without saying anything, and drinks alone. Drunk, she stumbles on the way into her house, but her friend's brother sees her and supports her. After hearing her reason for drinking, he starts to seduce her by thinking about having sex with her.

The story follows a group of boys and girls who wander into a terrifying village with a legend of a girl who is sacrificed and cannot attain Buddhahood. Toru and five others come to visit their grandmother's house. There they meet a mysterious girl named “Hana” who lives in a white house. That night, Saori is taken away by someone...

An overview of the night in which the Argentine Congress voted on the "Draft Law on Withholdings and Creation of the Social Redistribution Fund", also known as "Resolution 125/08". Released on the 10th year anniversary of the rejection of the resolution.

A teachable story about a seventh-grade student who, like thousands of Russian schoolchildren, is caught up in the ideology of consumption and empty narcissism.

Essay collected from fragments of embodied longing for the lost cosmic romance.

A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

Corps Marching

On November 24 in 1979 a brand new event took place in Pisa: the police gave permission to stage the first national gay parade, organized in collaboration with the City of Pisa. The march was an unexpected success, with hundreds of gays and transgender people coming from every part of Italy. They paraded openly and the city was partly friendly and partly hostile. This documentary features personal memories and political comments from the past to the present. Using images of contemporary society and exclusive archival material, twelve people, participants and organizers, recall how that historic day was created, its relevance and consequences for their own lives and for the gay community as a whole.

An instructional video from the 1990s that teaches the viewer how to put together a truly entertaining New Year's Eve.

Matsuko, an assistant professor of history, discovers ancient human bones at Toribeyama, and her student, Suzuko, starts to approach her. As Suzuko shows an unusual fascination with the bones, the two eventually become romantically involved. However, Naomi, a fellow assistant professor who harbors a rivalry with Matsuko, hires a journalist to secretly photograph Matsuko’s bedroom…

This film is not just an adaptation of Daniel Defoe’s 1719 novel Robinson Crusoe. Rather, it addresses the larger cultural myth that has grown from the premise of the book: a white man ‘civilising’ indigenous inhabitants of an island, and claiming the territory as his own property. In a time today when the call to decolonise the artworld and its associated institutions has never been more urgent, Deboosere's cinematic intervention resonates with a large body of work seeking to destabilise and replace the ideology of imperialism. The result is a singular, subversive film, satirical and surprisingly charming at the same time, which makes sure to pay just as much attention to animals and the natural world as to the follies of human-constructed ‘anthropocene’ history.

Two filmmakers document three years in the life of contemporary Greek painter Stefanos Rokos, as he is working on the making of his exhibition “Stefanos Rokos: Nick Cave & The Bad Seeds’ No More Shall We Part: 14 paintings 17 years later.” His daily routines, his artistic process, some spontaneous inspirations, and his creative dialogue with legendary musician Nick Cave.