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Documentary about the day-by-day of street vendors in Rio de Janeiro. They tell their dreams, longings, and the harsh reality faced inside the city buses every day.
São Paulo, Brazil. One of the biggest cities in the world. Actually, the largest metropolis in cultural crossings and color blending in a huge compositions and social experiences, especially in its musical soundscapes. São Paulo Jazz Symphonic, a single Ship in world's performances, represents a sound metaphor to this cultural phenomenon, combining popular culture and scholar arrangement. In a magic point of view and atmosphere, cinema and music get together as a symphonic picture, a syncromic film language. Light and sound projected in rhythms and line to reveal 90 musicians, among them Cyro Pereira, to create a fabulous method to play and produce world mainstream arts. This trip reveals the meaningful strength from popular culture in Latin America history, by aesthetics emotion and thrilling images through five years shooting endurance.
When filming “Esta é a Minha Casa”, the Fundos confessed to the director their desire to come to Lisbon. The Portuguese capital was then frequently featured in the French social media, due to a campaign of promotion of EXPO. A year later, during the summer holydays, João Pedro Rodrigues films the family again on their tour of the capital’s historical sites and the suburbs and on their trip to Expo or the Luz Stadium.
Inspired by "Voyage to the land of Brazil" by Jean de Léry, this short follows the adventures of Nicolas Durand, from Villegagnon, and the estabilishment of a French colony in 16th-century Rio de Janeiro.
Baby Daddy follows Ben, a young man in his early 20s living the life of a bachelor in New York City with his buddy, Tucker, and his brother, Danny. Their lives are turned upside down when they come home one day to find a baby girl left on the doorstep by an ex-girlfriend of Ben's. After much deliberation, Ben decides to raise the baby with the help of his friends and his protective and sometimes over-bearing mother, Bonnie, and his close female friend, Riley.
Lightning McQueen and his best friend Mater head east from Radiator Springs on a cross-country road trip to meet up with Mater’s sister.
On the night of her birthday, a woman decides to make romance films her story.
Rain, like the circus, travels a long way to its destination. When the two are gone, the memories remain.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
The tunnel functions as a darkroom. The film is overexposed at the tunnel entrance and marked by light. The deeper the film penetrates the volcano, the less light it captures. In the center, the light fades, leaving the film unexposed. The result is a long fade that progresses from deep black to immaculate white. Meanwhile, the same trip was recorded with a video camera, following the film trail. The end result presents the opposite: in the video, the light appears at the beginning, recorded at the entrance. The further the video progresses, the darker it becomes. Both the film and the video are projected superimposed on the same screen. The overexposed edges of the film allow the video to be seen, but as the narrative evolves, the faint light becomes progressively more present, erasing the video image. In the center, the video image is diluted in the bright light of the film, leaving it with its sound.
