A Place To Call Home Saison 4

Naufus Ramirez-Figueroa "Lugar de Consuelo" revisits Hugo Carrilo's 1962 play "Heart of the Scarecrow" and a censored 1975 student production of the text Ramirez-Figueroa and writer Wingston Gonzalez respond to the enduring traumas of the recent and not-so-recent past and the web of entangled inheritances, in which villains and victims mutate into each other.

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

Yeong-hoe visits the country house to get a seal from her uncle Mansik. However, at home, there's only Mai, a migrant woman who is married to her uncle. Yeong-hoe is suspicious of Mai, who seems to be hiding Mansik's whereabouts.

In High Places is a 1943 Italian comedy film directed by Mario Soldati and starring Adriana Benetti, Massimo Serato and Nerio Bernardi. It is based on a play by Jean Anouilh. The film portrays the rise into high society of an immoral young man.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

Royston Tan's film first aired on the okto channel on 8 August 2010, 10pm. It was later produced as DVDs for sale at Books Kinokuniya, BooksActually & Objectifs. Old Places shows us oft-forgotten, yet almost immediately familiar areas in Singapore through the eyes of ordinary people. Prior to the production, members of the public were invited to call in to the radio to recount their significant memories of places in Singapore – places that will soon disappear or be redeveloped. These personal stories come alive through the callers’ narration and the stunning visuals that capture the nostalgia and hidden beauty of the places. Re-discover Singapore and journey to places like a playground in Toa Payoh, a barbershop at Commonwealth Avenue, Capitol cinema, and an unassuming bakery in Whampoa. Old Places celebrates personal stories of joy, love or loss, and weaves it into a tapestry of memories amounting to a collective and yet typical story of life in Singapore.

The main thing for a real writer and his readers is texts. A biography is a less significant thing. Most readers of Don Quixote do not know the biography of Cervantes and do not particularly need it. But sometimes the biography of a writer can become an explanation for the incident of a genius who turned out to be unnecessary or unidentified, unrecognized. This is precisely the case of Friedrich Gorenstein, the author of Andrey Rublev's monologues in Tarkovsky's film and the screenwriter of his own "Solaris", the author of the dialogues in Konchalovsky's film "The First Teacher" and co-author with him of the script for the film "Slave of Love"

This is the story of a young lady who is searching for a flat. Something strange begins to evolve in her body&soul.

Noah, an investigative reporter, finds himself in love with Yin, a friend for many years. Noah arranges a dinner where he will finally declare this secret love to her, but Yin is called away on business. The following day Noah wakes up determined to speak with her. As he tries to connect with Yin, he discovers that she is nowhere to be found. As Noah attempts to unfold the mystery of her disappearance, the history of even her existence is questioned.

An intimate 7-year journey of a family struggling to overcome past wounds of reverse migration (from Canada to Korea) begins when the director's little sister decides to be an un-wed single mom. The little sister decides to raise the child in Canada as she never felt welcome in her parent's homeland, South Korea. The lives of parents, intertwined with Korea's modern history is revealed, while family members try to come together to face the challenges of raising a new baby outside of the traditional family form. What starts out as the director's personal journey of re-discovering the lives of family members and self, evolves into broader themes of cultural differences, identity, and belonging.

Through the public and private toilets that he has enjoyed filming over fifteen years, Alain Cavalier evokes our daily lives which are less trivial than they would appear.

This is a love story. In a place that is not intended for this at all. The events of the film unfold in the day stay group of people with disabilities. And only the inner beauty and strength of the heroes of the film turn it into a "Place of Love." This is a story about all of us, about the pursuit of happiness, inner beauty, sincerity - that there are no differences between all of us.

A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.

Dina Loskutova, a person with severe disability, moves from a psycho-neurological boarding school to the House in the wild, where she can live with other people with disabilities and developmental disorders, in the village of Razdolye among ordinary people. How does their life, about the joys and trials of the first years of free life, this film tells.

A radio station announces that a special aircraft to the US is at the disposal of any traveler wishing to emigrate, on demand.

Discovering casual sex in a cinema, a high-school student must reevaluate his own gay sexuality.

Since Ami moved out, her brother Masaru's life has gone off the rails. But for Ami it is very important to have a place for herself. And she can still take care of Masaru.

When a single-father mechanic bumps into a pungent massage girl, a buzzard encountering becomes a marginal romance.