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No Place Like Home is the story of a young girl, Barbara Fay Wilson, who lives with her mother, brother, and sister in homeless shelters and seedy motels on Aurora Avenue, a forgotten stretch of prosperous Seattle. The film was broadcast nationally on PBS, as part of the POV series, and premiered at the Venice Film Festival and was shown at festivals in Cork, Lisbon, Melbourne, Sydney, Paris, and St. Petersburg, Russia, among others. It won film festival awards in Chicago, San Francisco, and Atlanta. Dir. Kathryn Hunt 1993
In this film Eric Nilsson takes up the contrasts in the well-ordered Swedish society--order versus spontaneity; individual desires set against collective needs; subordinates vis-à-vis superiors. The young Swedes interviewed make a plea for independence, imagination, and the discussion of existing conditions.
In 2012, the government revoked the Overseas Domestic Workers visa concession, removing the rights of domestic workers in the UK to change employers. This has increased their vulnerability to abuse, exploitation and reduced protection. Six women share their journey from the Philippines to the UK, how it's affected their families back home, and the community they've created in the UK.
Sexually abused by her father from infancy to early adolescence, Shirley Turcotte is now in her thirties and has succeeded in building a rich and full life. To further reconcile her past and present, she is returning to the people and places of her childhood. Her mother, brothers and sister, all of whom were also caught up in the cycle of family violence, openly share their thoughts. Their frank disclosures will encourage survivors of incest to break through the silence and betrayal to recover and develop a sense of self-worth and dignity.
Monica is a Chinese immigrant living in the UK with her boyfriend. After having lunch date with her British colleague, Bonnie, she begins to dream about something more than her monotonous life.
A Place To Talk covers the idea of speaking out about your mental health. In collaboration with charity mind, we interviewed some members of the team to gain further insight into the work they do for local communities, especially around Bournemouth with the university students in mind. We also sat down and spoke to two university students who shared their issues with their struggles but also helped friends with heir mental health issues.
Film by Mary Filice
A lone survivor wanders around his street killing zombie clones
After Buying some shoes from the store, a man is confronted by zombie clones.
In a series of vignettes from the Arctic, South America and ancient Egypt, death is revealed as a transition, rather than the end.
Adam is a twelve-year-old boy living in the Slovak countryside. He is a local lumberjack and also has various odd jobs. Basically, he likes to do everything. Although life is not easy, he can see beauty everywhere.
Angelo Madsen Minax mined 80 hours of footage, all from the year 1970, from the vaults of a Dallas TV station to construct a kinetic montage where ”the news anchors are reimagined as pseudo-divine bearers of a potential truth, transplanted from 50 years in the past and appearing before our eyes to weave a proclamation of impending doom. In poetic decree, we are told in great detail the peril of our world, yet offered no explanation of how to prevent it, nor the definitive cause. From past images, a future-image is constructed” (AMM).
Fountains Of Wayne breeze into the Windy City with their warm, feel-good vibe, unleashing the hooks and humor that have made them champions of power pop. For the band's first-ever live DVD, fans are treated to a career-defining set with punchy performances of their hits including "Stacy's Mom," "Sink To The Bottom" and "Radiation Vibe." Having perfected the sounds of summer buzz with tight rhythms, carefree melodies and humor-laced lyrics, the indie pop quartet takes the stage in prime form, knocking out favorite after favorite. This concert was shot in a widescreen format and recorded in 5.1 Surround to provide an electrifying home viewing experience. Next to actually attending a Fountains show, as any fan will tell you, there's No Better Place to see them. Bonus features: all-new, never-before-seen acoustic performances of songs from their 2007 album, Traffic and Weather, and more.
The time is early autumn. The woman wakes and dresses the boy. He practices with his sling while she spreads a caribou skin to dry. The boy picks berries and then the men come in their kayak with another caribou. This is skinned, and soon night falls. In the morning, one man leaves with his bow while the other makes a fishing mannick, a bait of caribou meat. The woman works at the skins, this time cleaning sinews and hanging them to dry. The man repairs his arrows and then sets a snare for a gull. The child stones the snared gull and then plays hunter, using some antlers for a target. His father makes him a spinning top. Two men arrive at the camp and the four build from stones a long row of manlike figures, inukshult, down toward the water. They wait for caribou and then chase them toward the stone figures and so into the water where other men in kayaks spear them. The dead animals are floated ashore and skinned.
Kana Nishino’s second DVD featuring an unplugged live, a documentary and an interviews. This is meant to run as a film with the unplugged live, interviews, and documentary all playing together intertwining.
Our contemporary political struggle over gay marriage supplies the framework for this engrossing 2001 documentary about the acceptance of homosexuality in native Hawaiian culture. Directors Kathryn Xian and Brent Anbe piece together interviews with historians and gay and trans activists to show that the Hawaiians' communal society included neither the nuclear family nor European sexual morality. In the 19th century tribal chieftains adopted Western law, a failed attempt to protect the country from colonization, but before that most children were raised in extended families and many chiefs had male lovers; the Hawaiian word for gay sex also means “safe sex,” because it precludes conception.