A Place T

This series sees celebrities walk down memory lane returning to the neighbourhoods where they grew up, discovering the history that was on their doorstep all along. Each episode features a different celebrity learning more about themselves and the places they call home as they explore the areas that made them and meet the people that shaped them.

Li Ching plays one of three daughters, whose life is turned upside down when she discovers she is adopted. But things get even worse when she goes in search of her real mother. Finally, after almost a double tragedy, she realizes what so many knew all along: There's no place like home.

Russell, a single father, balances his work as a lawyer with the care of his five-year-old son after his wife abandoned them. When she reappears creating turmoil, he must deal with his new love interest and the job opportunity of a lifetime.

The film "Den, der lever stille" is an adaptation of the bestselling book by Leonora Christina Skov. The story is based on the author's own life and touches on a number of taboos and highly topical themes such as sexuality, guilt and loneliness. The novel has been at the top of the Danish bestseller lists for a full 62 weeks, has sold 120,000 copies and, not least, secured the author the book prize De Gyldne Laurbær. The film adaptation is directed by Puk Grasten, who has previously been behind the drama 37.

Anthology of three stories about different people in different places.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

A young officer returns to his base after a daring mission. The cook's assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned - the officer, now a retired general, is on his death bed in the hospital. His son who, to his father's horror, has found religion, is in a race against time. Before his father dies, he has to find that cook's assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn't, his father will go to hell.

China is currently marked by a phase of rapidly growing urbanization. The film in this context deals with two particular cities. Yum en a derelict ghost town and Or dos a mythic city of the future,both are deserted. They exist because of completely different reasons. The film shows through impressive images how these two cities and the relation of inhabitants to these cities are developing in China in times of urban growth.

Noah, a young woman who lives alone in New York, is dating two very different men, Fred and Mitch, at the same time. However, she realises that neither man can totally fulfil her needs.

A woman finds herself facing a situation where a strong desire would cause her to change her entire life. This and Ana Thereza's other personal questions serve as a starting point for addressing the main object of this documentary: desire. Not only in the denotative sense of the word, but, above all, by its forms and possibilities of growth, ascension and, moreover, in what way is it capable of building itself from idealization and subjectivity.

"How is it that we are still here? How come they're already almost printing human organs and we're still discussing gender equality? How come they already deliver fast food to homes on hangover days and racism is still such a big issue? Why is more spent on Social Security than on travel? And is there an afterlife, on social media (where it really matters)?" It is from these questions, at a time when the world is amazed by the evolution of times, that Diogo Faro starts to construct the text that will try to demystify the doubts in the comedian's head.

On his last night on the job, an unsuspecting LA cab driver gets roped into helping a wealthy investment banker cover up a brutal crime.

Lucky Stars Go Places, also known as The Luckiest Stars, is a 1986 Hong Kong action comedy film directed by Eric Tsang. It is the fourth film in the Lucky Stars series. It was an attempt to combine the original Lucky Stars troupe with the similar action comedy ensemble from the Aces Go Places series.

A tragic romance set in the Tibetan plateau.

Set in 1943 in Scotland during World War II. Janie is a young housewife married to a man named Dougal, 15 years her senior. As part of a war rehabilitation program, Janie and Dougal welcome three Italian POWs to work on their farm. Soon, Janie falls in love with one of them...

A film student reflects on a handful of images that remind him of his past in the countryside. An essay on the relationship between image and memory, influenced by the work of Georges Didi-Huberman.

About the 2003 terrorist attack at Mike’s Place, a beachside blues bar in Israel.

This film tells the story of a ronin falsely accused of a crime and unable to convince others of his innocence.

Collage, cut-out, stop-motion, digital and analogue techniques combine with tribal rhythms, chanting and dancing in a joyous love-letter to home.