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59 minute 59 second is Egyptian Short Film
After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.
The director captures the final year in the life of the woman who helped raise him, as age slowly gets the best of her. The simple filming style, in which neither the camera nor the protagonist ever leaves her flat, results in an unusually intense and extremely personal record of time passing and the relationship with a loved one. It's a raw yet formal testament that sensitively manages to avoid any trace of sentimental kitsch, leading the viewer on an emotional journey of the everyday reality of Bunina's days and her mercilessly worsening physical and psychological condition.
Based entirely on photos shot inside one of Jakarta's maximum security penitentiaries, the film gives a voice to the last words of an anonymous inmate whose graffiti line the walls of the cell he occupied ten minutes before his execution.
Composed of one single crane shot Pichqa minutukuna ilaqtanchispi wanuqkunamanta or Fem minuter för Amerikas döda (1992) is an intense five minute meditation on the European colonization of America and its victims. It was intended as a counter image of the ongoing 500 years anniversaries at the time.
What can happen to a man in 10 minutes?
8mm short film by Akira Hoshino.
Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction of a newborn into a workers' collective
Guram Amaryan talks about how he was deprived of his driver's license and about his criminal record, about the case of Yefremov and rodi lawyer Pashayev, about the duplicity of his right hand, circumcision and studvesne.
Artem Vinokur about childhood and school, hypochondria and marriage, voice assistants, Duda, Dzhigan and Dzyuba.
Pavel Dedishchev on the pandemic and artists in politics, friends of the president and familiarity, Lenin and humanity, the prices of priests and the importance of the clergy.
Thirty years a man is going up every day - eight landings, eight steps between the landings. He is hearing a wooden lid, creaking of a wooden lid. He has already started to get out of breath. Very often something grabs his throat and squeezes it. It is a fear of the time.It must be fear, as there's nothing else it could be...
The work of students of the documentary film and theater workshop Marina Razbezhkina and Mikhail Ugarov
The counter-revolutionaries instructed Sergei Yaroslavtsev, the cadet, to make an attempt on the life of V.I. Lenin. He manages to get into the leader’s office, but the conversation with Lenin leaves an indelible impression on Sergei...
(Reinterpretation of a Workshop script) Billy kidnaps Layla and pleads with her to impersonate his wife and to accompany him home to visit his parents, To Billy's dismay, Layla takes to her role enthusiastically.
Marcel Perez is so poor he can't even tip the janitor for some service or other. However, a messenger arrives with a telegram from a notary. An uncle is dead and has left Marcel a hundred thousand francs! With a huzzah and skips and falls and smashing of his old junk, Marcel is off to equip himself in the latest and most expensive fashion, waving the telegram like Mark Twain's Million-Pound Note to gain the instant obsequiousness of tailors, haberdasher and hatters. But wait, why is that messenger following on Marcel's trail? Could it be another telegram? What could it possibly say?
Sam Hardy, a former detective with a dark past, goes to a bar to see a friend. However, the people in the place start to die mysteriously every two minutes and it's up to him to solve the crime and find the killer before it's too late.
An experimental short film about the strangeness of life