E La Vita Continua

Love, hate, desire and jealousies are in the midle of a couple, that of Andrea and Fabrizio, who questioning the certainties of their relationship and their feelings.

Attractive teenager Sergia usually hangs out with her older sister and her circle of mature friends. For a change, she is convinced by two teenage male friends to go for a beach vacation. Their main motive is to try to win her affection and get to sleep with her. Tragedy soon follows when the love triangle unravels.

A compelling portrayal of postwar Rome

The apparently quiet lives of four milanese bourgeois couples become intertwined

A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

Marco and his son Toto work in a Venetian gondola yard and maintain the old traditions of gondoliers. When a newly-arrived businessman decides he wants to buy the yard and demolish it, Marco and company want to fight to preserve their way of life. The businessman, however, knows Marco is badly in debt and uses this to try to leverage Marco out of business. Can tradition win out in the face of naked commercialism?

Count Alberto has lost his wealth at the gaming table, he wants to commit suicide but is stopped by a doctor who offers him an exchange, a week of life with how much money he wants and then be a guinea pig for a new drug (and maybe die).

Short companion film to Christine and the Queens' EP.

Only a brief fragment survives from the beginning of this film, which seems to be a moving romantic melodrama: Diana Karenne plays the piano surrounded by a group of admirers in evening dress. She is a beautiful and slightly spoiled heiress, the kind of woman for whom Italian silent cinema reserved unfortunate turns of fate in order to elevate her to the status of tragic heroine. Even the few minutes remaining make clear that she proposes her own reinterpretation of the genre’s themes and motifs: from astonished grief over her father’s death to desperate wanderings through dark and impoverished alleyways. It is an expressive palette around which Pasquali weaves his discreet direction, paying particular attention to lighting effects.

Max believes that existence is just a game, and his wife will have the arduous task of bringing him back to reality.

The tragic coming-of-age story of a boy who takes his experiences to the point of seeking death, only to be reborn. His favourite poet chose death, but he finds the strength to survive and tell about his “obscene life”.

Salvatore is a young orphan, living in Sicily with his little sister and his grandmother; after loosing his father in a tragic way he quits school and starts working as a fisherman and a farmer in order to support his little family. The Social Services soon discover the situation and resolve to put Salvatore in an orphanage, parting him from his family. Only a young, idealistic teacher (Enrico Lo Verso) tries to help him, going everyday after school to his house, to teach him the lessons he misses in the morning and to work with him in his greenhouse or on his fishing boat.

A film made up of a series of eight episodes.

Profile of one of the first female film producers, not just in Italy but in the entire world.