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The story of 2013 told through the high-impact images of the year, exploring how photography has changed in the age of smartphones, social media and the selfie. From the helicopter crash in London to the bush fires in Tasmania and the Boston Marathon bombing, this was a year in which the best camera was the one you had in your hand and saw ordinary people taking some of the most striking pictures of 2013. Meeting photographers, news editors and members of the public who were in the right place at the right time, this film reveals how these extraordinary pictures were taken and argues that the image remains as powerful as ever in the modern world.

Larissa and her nine-year-old twins arrive from Germany at their father’s paternal home in the Spanish Sierra Morena mountains. Father’s flight was delayed, but the guests are welcomed by his mother and sister. As the scorching hot days go by, everyone tries to relate to each other. — Mubi

After a divorce, a voice actress Eunkyeong raises her son alone who's unkind to her. It makes her sad but she does not show it. Past and present calmly cross over as they try to embrace each other's pain.

A band of sleepy spirits in an ambulance runs out of road. The third in a series of musical short films featuring Thee Wreckers.

This is a branded short film for Platinum Victory a property management service company. In conjunction with Valentines Day we've written a romantic love story set in their apartment where the manager of the management team Wilson and his encounter with a new tenant Hui Ling.

Live performance from a group of celebrated string musicians, comprising cellist Yo-Yo Ma, fiddler Stuart Duncan, bassist Edgar Meyer and mandolist Chris Thile. The group, which came together to record the 2011 collaborative album 'The Goat Rodeo Sessions', is joined on stage by guest vocalist Aoife O'Donovan. The performance took place at the House of Blues in Boston in January 2012 and saw the talented musicians perform an eclectic setlist of material.

Éric Rohmer converses with collaborators and admirers.

A Birmingham-based band are ordered by their unhappy record company to an old warehouse; the goal being to re-start their ailing careers with a kick-ass new promo video. Unfortunately the band and their entourage find themselves targets of a mysterious knife-wielding maniac, haunted by the voice of Satan, and out for revenge

Rich lout marries for freedom.

Story of a Dutchman's flight across post-war Germany trying to locate the man who alone can clear him of a false murder charge. (BFI Website)

Hu Jie is a prodigious independent Chinese filmmaker who has produced and directed thirty or so documentaries. Also a master of wood engraving, Hu Jie breathes new life into the expressionist tradition of Käthe Kollwitz. In his works — including those produced in Paris for this film — Hu Jie recreates terrifying moments of organized crimes against the Chinese people during the famine of the “Great Leap Forward” and the “Cultural Revolution”. Bertrand Renaudineau’s and Gérard da Silva’s film offers Hu Jie his first chance to tell how he was a wood engraver before becoming a filmmaker; how, he freed the “soul of a young martyr”; and how his prints and documentaries have helped convey the experiences of the Chinese to people all around the world. (René Viénet)

In the 1950s, while radio is slowly being surpassed by television as the leading broadcast medium, Tito Balcárcel, a voice actor, becomes romantically involved with Lúcia, a fan of his who drags him into a mysterious crime plot.

A rare mass grave is discovered in Luxor making archaeologists wonder what happened when it was made. The grave contains the bones of nearly 60 people. A team of experts embark on an exciting quest in search for answers. They head down to Egypt and travel back to ancient times looking for clues that could reveal the story behind this mysterious grave.

The sexy story of the iconic British artist David Hockney, who is adamant about living life in the now.

A woman and a little girl find solace and joy during secret stairwell meetings, bonding over playful games.

Lim Kah Wai, director of Your Lovely Smile, embarks on a similar journey as the protagonist in his film, visiting dozens of mini theatres from Okinawa to Hokkaido. Lim is not pitching his new film, but meeting the staff and owners of the theatres to make a documentary about how they struggle in the shrinking market. In empty cinema houses, the people speak of the common and personal challenges they encounter. Although they might have made different decisions – whether to hang on or move on, they share a pure love for and a genuine belief in cinema that they wish to pass on to the next generation.