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It begins with an argument. A river of tears bursts its banks and washes the heroine away into a surreal world where symbols, references and personal experiences dance together. A baby learns to play the flute from a goose before becoming a girl and using the flute to drink up the river and swallow her teacher, the goose. A bone remains with which she draws herself a belly that gives birth to little creatures that suckle, swim, scream and explode and do all the other things that new-born babies do. In a pastel-coloured frenzy, the filmmaker traces the development from being an infant to an adult woman and artist.
A film that brandishes the documentry form and art to try to dismantle the stigma of being HIV positive that still persists in society. The film honours the past and the iconic Thom McGinty, the Diceman, who was one of the first to speak openly in Ireland about having AIDS but, other than that, it’s very firmly rooted in the here and now. Based on a theatre show, the stories in this film move between bodies of young men, migrant women, drag artists and activists. A form-flipping documentary, it features a cast of actors as well as ordinary people coming out on screen for the first time.
Tired of her parents' constant arguments, 12-year-old Justine and her friends do everything they can to make them divorce.
