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The male duo Sanada Nishiki and Yamada Jiro are behind Himekawa Rosanna, the popular girls manga writer. The two of them were cultivated by an editor nicknamed the “Monster” and debuted as a girls manga writer. Despite their popularity, they really want to draw gourmet manga. The bookshelves of the secret library in their home office are lined with novels, essays and manga full of delicious food. When they are under the pressure of manga series deadlines, they would routinely escape from reality and into the “2D gourmet” in the books, forget about their deadlines and end up cooking.
A teenage boy awakens a ghost from an antique pot. To be reincarnated the ghost must help his present day counterpart by helping him find romance.
Enokida Trading Post is a second-hand shop run by Yojiro Enokida , whose personal mantra is, "Anything but garbage. We take it all." The shop serves as a gathering place for employees and regular customers, who come with troubles in hand. One summer day, part of the shop's sign falls down. Yojiro thinks this is a sign that something spectacular is about to happen, and indeed their problems take on lives of their own from that day onward.
1974 Drama by James Wong Jim
Yōtarō Misaki finds himself lying on the beach one day. He is picked up by Arashi, who manages a restaurant called Kurage no Shokudō. When asked who he is, the protagonist tells a lie that he lost his memory — but he remembers everything, including the fact that his twin brother died.
Mizuho takes over a restaurant in Nago, Okinawa, which was left to her by her grandmother. She single-handedly runs “Gajimaru Diner”, named after the large, deeply-rooted Gajimaru (banyan) tree in the area. Eventually, circumstances lead to her being brought together with an unknown traveler named Hayato, her ex-boyfriend Shota who returns after living in Tokyo for the past seven years, and a woman named Riko who shares something with both of them. As they work at the diner together, their relationships reveal themselves differently than what they had in mind.
A vast, blue sky. An endless mountain path. This is not an excursion, but the journey of three-year-old Xiao Wu and her lamb to the orphanage where they will be abandoned.
Toru and Hiroshi, the strongest combination in history, are completely revived!
Visions of a ghostly woman compel Sze An, a poor scholar, to go on a trip which leads him to the mysterious Cherry Estate, whose carefree inhabitants know nothing of the rest of the world.
Bai Yutang, nicknamed "Sleek Rat", is a Song dynasty knight-errant from the 19th-century Chinese novel The Seven Heroes and Five Gallants. During the peace talks between the Imperial Court and the Western Regions the four princes from the first batallion publicly paid tribute to the fallen soldiers, but they were suddenly attacked by a group of "stray wolves". Was it the revenge of the Western Regions, the instigation of the Lord and the faction, or other mysterious forces that took the opportunity to make trouble? Bai Yutang was ordered to investigate the case of "Dare Maneater Wolf". With the help of his friend Yu Mo, he quickly discovered the truth of the so-called "Dare Maneater Wolf". They were all controlled by puppetry.
Shot in 1997 and premiered at Documenta XI in 2002, An Estranged Paradise displays many of Yang's signature motifs — crisp black-and-white 35mm cinematography, storylines that blur contemporaneity with traditional stylistics, homages to/revisions of genre cinema akin to the early work of his influences Jean-Luc Godard and Jim Jarmusch — while also reflecting his early studies as a painter, notably in a prologue that muses on the traditional methods and subjectivity of Chinese landscape painting. Set in the city of Hangzhou (where Yang had studied at the China Academy of Fine Art), the film takes as its focal point a restless young man, Zhu Zi, following him as he aimlessly wanders through the city. Through a series of distinct vignettes, Yang depicts Zhu Zi's inability to find comfort in friends, lovers or environment as a reflection of the existential difficulty of China's "nameless generation," cast adrift during the rapid changes at the turn of the millennium.
A Japanese drummer comes to Beijing for a performance where he finds himself lacking inspiration, until he meets Fushun, the bathhouse master.