The Here And Now A Visit Streaming Avec Sous Titres En Français

Tractor driver Pronka Lagutin comes to the city. Meeting the director's assistant unexpectedly turns into an invitation to him to play the role of a rural guy who moves to the city. Pronka rehearses with pleasure, but realizing that staying means never seeing her native village again, she runs away from the director.

The village of Yanashi is flooded every year by the Amazon basin waters. The locals live their lives either ashore or afloat, depending on the season, surrounded by their ancestors’ spirits and beliefs handed down through generations. These are the surroundings of Amaury, who leaves a theological seminary for the summer holidays and is not in contact. Rafal the Missionary sets off from Iquitos to learn what has happened to his mentee.

This documentary takes a look at how intrepid 1960s musicians like Cornelius Cardew, Gavin Bryars and John Cage changed the sound of music by stuffing pianos with hay or leaving the choice of notes up to the rolling of the dice.

Once upon a time there was a husband and wife in the same village. The wife was a wayward woman, one might even say stubborn. Whatever her husband says, she does the opposite.

Crocodiles and humans must share living space within the red zone (tsunami-prone zone). There, they put suspicion on each other.

The film brings environmental awareness in children and shows the role of every individual in the planet-preserving.

Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.

A man returns from hunting. His lover is waiting for him in an empty swimming pool in quiet woodland surroundings.

In the film we meet Vera’s parents; Vibeke and Geir, the artist and recent closest friend, Edson, and childhood best friend Selma through the memorial ceremony for Vera. A ceremony that is developing to resemble as a cultural festival, rather than a conciliatory gathering for people in grief.

Nu's friend often spends the night at her place. As Nu tries to figure out if her friend has a crush on her they become closer.

A man living in the past spends a night in his hometown.

Naga, an eleven-year-old boy from a rural background is employed by a family in Mumbai to look after their child. Naga longs for his home.

The second film of the Pandemic Trilogy, “Why Am I Still Here Then?” is a sequel to 61 Street No 4, and it makes the audience experience the unconscious reflection of the Other who entered in the previous film. The monologues throughout the film emphasize the character's feeling of being stuck and her confrontation with the unconscious. As a result of the confrontation, the audience is left with a mind ready to be completely liberated. Experimental narrative, creative montage and sound design come to the forefront in “Why Am I Still Here Then?”, and it narrates us understanding and accepting our unconscious.

A spatial exploration of Miami, and the endless pursuit of the American Dream in an era of immigrant mass mobilization, the absurd dominance of wealth and border securocracy.

Ji Hoon and Ji Seok live with their grandmother in the valley after being parents. It's a fragile twin that's really different from what you might have come out of. Ji Hoon, who came out 5 minutes earlier, is foolish to do foolish looks, while Ji Seok is quick to notice handsome looks. A flower man from Seoul appears in front of them after a boring daily life in a rural branch school. At first glance, Ji Hoon falls in love with Byeolbun. Ji Hoon does not deserve such a spirit, but rather he is worried about the ugly one who is greedy. In the meantime, Mr. Flower puts the phone he cares about most in the toilet. For this reason, Flowerbun ignores Ji Hoon and shows interest in Jiseok. Ji Hoon was worried that he would take the flower powder from Ji Seok.

Symbol has its power because people believe that it has the power.

It presents a fragmented glimpse into the life of people on the move hiding in the unofficial camps in the forests on the EU border.

Formats and films.

In the winter of 1969, along the barren banks of the Yellow River, 30-year-old farmer Zhao Da remained unmarried. On her deathbed, his mother entrusted him to his granduncle Zhao Tiantang. Zhao Da was romantically involved with Gou Dan, a poor girl from a neighboring village whose mother was gravely ill. Out of kindness, Zhao Da sold his sheep to help them. However, militia minister Mi Laichang intervened violently, capturing Gou Dan. Humiliated at a struggle session, Zhao Da defended her and was severely beaten. Gou Dan, in despair, drowned herself in the Yellow River. Following her death, Zhao Da's friend Shuangxi attempted to find him a wife but failed. Zhao Da, in a fit of anger, took down a "ghost marriage" notice to fulfill his mother's wish, which led to further conflict with Mi Laichang. He buried Gou Dan's remains in his family's ancestral tomb and left home in tears.