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Juanita wanders between reality and her dreams to cope with the absence of those she loves.
I came here to make a map.
The renowned anarchist teacher Count Ervin Batthyány reappears 100 years after his death. He tries to put his theories into practice again, as he realises that the world has not turned out as he had expected. He founds a new free school with the help of some like-minded people, and starts teaching a new generation who believe in solidarity and cooperation, rather than a system of oppression. But the ideal of freedom and equality awakens the same fears in the choreographers of power as it did 100 years ago. And after an encouraging start the count and his new friends come up against more and more obstacles.
Countdown with the purpose of helping the projectionist.
The lifeless body of a woman lies on the floor of a room. A man stands, observing it. Beyond the locked door someone tries to get in: it's a 10 year old child. The three are a family, or what's left of it. What to do with the kid?
Climates are changing, our lives are changing, birds are flying, animals are migrating. Have you (ever) been here before? Have you (ever) been here before? Have you (ever) been here before?
A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.
How can we excavate and rewrite the stories of ghostly beings, intertwined in places banished from our senses? To do this, we sift through the debris of history, scrupulously collecting and connecting stories, while distorting the time like a botanist on the asphalt, as dislocated botanists, twisting the time of a smiling garden into a stroll to reminisce – to embrace repressed, estranged kinship.
During an imaginary actors exam, in order to choose the best, the jury utilizes immoral ways of selection – spying, making conflicts, humiliating the applicants – in short, taking advantage of its power.
The film is a story of a young man coerced into undercover work for the police, in return for their dropping of charges against him. He is to befriend a leader of a gang of juvenile delinquents who plans big robbery of a jewelry store. The scheme works and the gang is caught in the act except the gang leader.
"I was born beneath this water. I was 10 years old when it all happened. Some things I remember well, others are blurred and confused. People change address, new churches are built, new bakeries, houses and streets ... But in this case, everything changed at the same time. Perhaps it was a way of pretending that nothing moved at all." During six years the makers shot this film in Luz Village (Portugal), condemned to disappear beneath the waters of the Alqueva dam. Especially for this project, a new village was constructed. But the forced migration does not pass very smoothly, since existing social structures, as well as the unique relation with nature are being disturbed. Combining these images with stories told by children who recollect their life during the moving process, this documentary presents the strange story of this village.
Ascoli Satriano, Apulia. A small town in the internal areas, depopulated as one would expect. A place of “there’s nothing here”, as everybody tells Eleonora when she arrives in the town after spending most of her life in Milan, a place of “there’s everything there”, where her parents moved in the Sixties. She is emigrant, but not for her choice. A second-generation emigrant. Always being separated from this “here” she could never know, but that has always been in her mind in an image made by stories told by others. Eleonora goes down to the town in order to provide images to other’s words: those by her family and those by Adele, the kid from the town met during the only visit Eleonora made with her parents when she was very little. Adele wrote letters for years and Eleonora rarely replied. Eleonora starts today an impossible conversation with Adele: a conversation disconnected from a synchronized time and localized in a largely imaginary space.
This film shows Haarlem, Netherlands, at its best: the St. Bavo Cathedral, street scenes, historic buildings, and beautiful parks and villas. Many of these shots were filmed from sailing boats, moving trams, and a church tower.
A documentary film on the theme of the Solovetsky Monastery – the first outpost of Christian and Russian culture in the harsh Pomerania. About the great shrine of ancient holiness, martyrdom and new martyrdom. The story begins with the history of the monastery's creation, six centuries ago, since the appearance of the Venerable Savvati, Herman and Zosima on the island. The chronicle footage tells about the terrible period of the archipelago, when a special purpose camp was set up there since 1928, about the terrible suffering and torment that the prisoners endured. About monasticism, and, of course, about the present day of the monastery.
Naama, a woman in her late 20s, wants a serious relationship with Guy. But Naama doesn't understand that she's the "third wheel" - Guy is in love with his lesbian girlfriend Yael. The film depicts how each of them has a different view on relationships.
On his way to Mika's place, he happens to witness a killer slaughtering women. Hedeaki is chased by the murderer and flees to Mika's room in a desperate attempt to escape, but the murderer follows him there as well....
The fear of oblivion can be overwhelming, but it can also be a driving force. An exploration of the need to imprint ourselves onto the world and build a legacy.
Ilya is 13 years old. This is his first time on the tour as part of the Orthodox center team. The weather turned bad, the tourists hid in tents, and Ilya went in search of adventures and cigarettes.
On March 16, 2020, in Brasília, an anonymous and unknown Haitian challenged the head of the nation: “Bolsonaro, it’s over. You are not president anymore.” This film poem counterpoints this situation with two military operations of Minustah (United Nations Stabilization Mission in Haiti), commanded by Brazil, on july 6, 2005, and december 22, 2006, in Cité Soleil.
Utsusemimaru returned from beach in dismay due to seeing women in swimsuits. Returning to the Spirit Base, Daigo prepared an indoor beach for Utchi to have fun together. Later, they find Nobuharu tamed by the two festival-themed Debo monsters. Daigo first used the Allomerus Zyudenchi and the Ovirapoo Zyudenchi, then Utchi used the Igaranodon Zyudenchi with an old man gag, which Daigo enjoys.