안녕

One day, five kindergarten children suddenly disappear from a kindergarten in Tokyo, sending their teachers and parents into a panic. The five of them are connecting on trains and headed to an unfamiliar place for some purpose. Before their journey, they had made a promise to each other “not to cry no matter what happens”

Inci’s mother died during the night. The five-year-old wanders alone through the vast hilly landscape by the Black Sea. She meets a young woman in a red sweater and is fascinated by her. Zeynep, who grew up here as well, has returned after many years away. Her luggage is heavy and the journey is long. Together, they walk through the sunshine and the clouds, from one father to another, from dawn until darkness.

Zheng Xiang reunites with the members of his high school band and reminisces about their lead singer and his past love, En Pei, whose pursuit of her dreams ended in tragedy. He regrets encouraging her to join the pageant, wondering if she would have died if he hadn't done so. Drunk after the memorial, he's suddenly transported back to the past, where he sets out to stop En Pei from making the same mistake.

Not Now, Comrade tells the story of Rudi, a Russian ballet star who defects to the West, and the chaos that befalls those who try to help him... not least London stripper Barbara, with whom he decides to take refuge!

Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.

Naive office girl Yuko supports her blithe big city lifestyle with a part-time job at a neighborhood cafe. Attracted to her manager there, the shallow but charming Yutaka, she willingly succumbs to his lascivious advances only to discover afterward that he already has a girlfriend by the name of Midori. Even so, Yuko's feelings for Yutaka continue to grow regardless of his aloofness. Before long she finds herself reluctantly cajoled into working as a hostess in a small karaoke bar. Fatalistically accepting his dalliances with flames old and new, she perseveres not so much in hope of a more substantial relationship, but rather out of fear of losing him. There are other men out there waiting for her -- kinder, more considerate and eagerly available. But for Yuko, there is only the non-committal, yet torridly magnetic Yutaka. Why him? Not even Yuko seems to know the answer.

16-year-old Haruka lost the people she loved the most in a fire. Haruka is also physically and emotionally wounded from the fire, but she still dreams of becoming a pianist. She takes part in an upcoming competition. Inauspicious incidents then occur around her. Musical student Yosuke, who teaches piano to Haruka, tries to solve the case.

At 14, Amanda is a perfect swimmer and a great student. When the factory where his father works closes and he must go to work in another city, she feels very sad. One morning she meets the McRea, a very nice elderly couple who, like her, cannot live without the sea, although in another sense.

A drama directed by Timothy Bond.

A spontaneous romance blooms between Kawamura, a professor touring Europe, and Naoko, a married woman living in Paris, scarred by the Nagasaki atomic bombings. The two protagonists travel around Europe trying to find themselves.

Yukio is an ex-farmer working as a dump-truck driver in Kashima. Haunted by the drowning of his two young sons, whose names he has had tattooed on his back in penance, and locked in a sibling rivalry with his traditional but urbane younger brother who lives in Tokyo, Yukio has become an amphetamine-addicted loner at odds with his family, friends and colleagues.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity.

For decades, wherever people have fought against injustice, they have sung “Bella ciao.” It is said to have been the anthem of Italian partisans fighting against fascism in the Second World War, but there are those who doubt the truth of this. The origins of the song are unclear. Was it a folk song favored by exploited workers in the rice fields in Italy? The accounts of various speakers are richly illustrated with archive material.

Come explore the streets of Douala, one of the busiest ports in West Africa.

Two people meet by chance in Busan, South Korea. Indah works at the Indonesian Embassy in Busan. Abi, a sailor who suffers heart attack and Indah was assigned as his guardian. Although their backgrounds are different, they learn from each other.

In the countryside, the grandmother worked her whole life, almost finishing the last time; in the county seat, the mother was middle-aged, drowning in ordinary life; in the city, the girl was youthful and ignorant, and began to wander alone.

Don't get it twisted: Yumika Hayashi is way more than just a porn star. She's a Rorschach test, film theory with curves, her screen image throwing off endless refractions within the hearts of those who knew her, loved her, or just got off to her. The "iron woman" of Japanese erotic film, best known for critically-acclaimed pink eiga LUNCHBOX, Hayashi died in 2005 at age 35, but in ANNYONG YUMIKA, the new documentary by Tetsuaki Matsue (LIVE TAPE), Yumika's legend is reborn, her passion made immortal. (Description by Subway Cinema)

8-year-old Ah Keat sets off in search of the mythical nightmare-eating creature in the forest, hoping it will bring his father back to life.

This joint Korean-Japanese production follows a Korean woman, Lee Ha-jong, as she searches for her father's remains. He - like tens of thousands of other Koreans - was forced into the Japanese military, and subsequently killed during WW2. She is joined by a Japanese man, seeking reconciliation between his country's military past, and the countries victimized by that history. The filmmakers portray both sides of a still highly emotional debate that centers around the enshrinement of soldiers at the Yasukuni Shrine, and Lee's lawsuit to prevent her father from being enshrined there. As Lee visits Japan and the controversial Yasukuni Shrine, she confronts - and is confronted by a wall of nationalistic pride that might be compared to neo-Nazis defending the righteousness of The Reich. This is contrasted with her meeting and working with Japanese peace activists, who deplore their countries' militaristic past, and seek to heal the wounds with her neighbors.