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One of the earliest cinematic adaptation of Chinese classic novel Journey to the West. When seeking for food alone, Tang Xuanzang was kept prisoner by seven spider monsters who took the form of seven beautiful women. The Monkey King and the other two of Xuanzang's disciples managed to rescue him with the help of Avalokitesvara Bodhisattva/Guanyin. They renounced the desire for lust and continued the quest for Buddhist Scriptures.

After a thousand years, the Taoist master Huang Hua Guan and his disciples regained human forms, as did the seven spider spirits, who vowed to abandon evil. To warn others, the Taoist priests told this story: Fifteen hundred years later, student Xiao Liu mistakenly entered a women’s bathroom and saw Wenxia bathing, leading to his public humiliation. When his sister Liu Cui reported it, Wenxia framed her, prompting Liu Cui to swear revenge. Wenxia, who had many boyfriends, stirred rivalry between Lu Xing and Chunfeng. During a trip, Wenxia and Chunfeng were attacked by someone bribed by Liu Cui, and both were injured. Daxiong saved Wenxia but had bad intentions, leading to a fight in which Lu Xing, Chunfeng, and Daxiong died, and Wenxia was trapped. Liu Cui was arrested for murder. Hearing this story, Wukong appeared, scaring the demons into releasing the Tang Monk.

A story of a lonely man with motifs from Hamlet and Sangetsuki. One day, The man hears a mysterious voice.

The memories on the taste buds, are those of growing up, of life, of past recollection, of families. In a sultry morning, on the top floor of an old apartment building in downtown Taipei, where a private kitchen is about to open, the female owner Li Xin-Yue has gone missing, abandoning the male owner of the private kitchen, her boyfriend Ji Wei-Ran, along with the unorganized storefront. In the old town area of Tainan, the roof of the old family Li mansion gets hit by a gusty wind, blowing away a piece of tile and leaving a hole on the rooftop. The wind follows through the hole, blowing into the Li’s, launching an upcoming family storm. The three sons of the Li who live separately have all returned. As they debate about the repair work, the conflicts hidden among their relationships start to surface.

Produced around 1991-1992 by the Peking Opera.

Part 2 of adventure movie

"I in-scene" met a boy again to smell the fragrance of the tide, and to count a wave. ...Features a meditative and obsessive drone just produced for no reward, in the name of the place by the ringing of dhonipattro (begging bowls) of two monks on a pilgrimage by the sea and a melodica boy.

In a 1963 review of this film for the Naigai Times, Minoru Murai coined the term "Pink film" by suggesting a "Pink Ribbon prize" should be awarded to these softcore erotic productions, which were known as "Eroductions" in the 1960s.

A beautiful nightclub owner finds herself desired by many men, but she is saving herself for the one man she cannot have .

The story takes place in a Karst mountainous area in southwestern China. There is a karst cave called "Fengyan Cave" inhabited by a Han village of 56 households and more than 280 people. Eight generations have been extended here. In the cave village, there is a special relationship that brings the whole village together to face the sinister nature; here, each member of this cave "big family" shares a "big roof"; they share the same Gods; drink a pool together; walk a mountain road to the outside world together...　

College graduate Jiang Chao returns to his hometown Quzhou and hopes to become a teacher. He lives with his sister Jiang Wei, a tour guide, and brother-in-law Zhang Qi, a driving school instructor. Chao meets Zhou Yuan at the school when he covers Qi’s shift; in the name of practicing, they drive around the memory-laden Lanke Mountain. Meanwhile, as Jiang Wei decides to participate in a tour-guide competition, she finds herself further distant from Qi; the legend of Lanke Mountain also seems to play a part in their relationship. As their adventures unfold, the small town’s landscape starts to transform.

When heads of state gather at the G8 summit in Japan, Guilala -- the intergalactic monster that had been banished from the earth in The X from Outer Space -- returns to ravage the Japanese countryside and threaten the world leaders. Military strikes prove futile against the beast, but a reporter learns that one rural community possesses a strange ritual that might influence the creature. Minoru Kawasaki directs this campy satire.