安魂

A father who lost his son realizes his past mistakes and tries to talk to his son and let him rest in peace.

All the families of Xiaojun Meng suffered a serious car accident. A truck rammed his motorcycle and Xiaojun Meng was hurt badly and her four-year-old daughter was suffered a fearful brain damage, but her wife was dead, unfortunately.

Tales of supernatural sci-fi phenomena unfold in this collection of seven mind-bending, interconnected stories imagined by writer-director Joko Anwar.

In 1994, a toddler disappeared from a small Welsh village, never to be seen again. 23 years later, in London, the mother of rising cello star Matilda Gray commits suicide, without apparent reason. Among her possessions, Matilda discovers tantalising evidence, linking her mother to the Welsh girl's disappearance all those years ago.

After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.

Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.

During World War I, British soldier Owen is mortified by the examples of cruelty that surround him in the trenches. He combats these terrifying images by maintaining hope in his love for an army nurse. But he also begins to accept his fate as another battlefield sacrifice.

Lucretia is a killer for hire. Specialised in poisoning and passionate about opera, she'll have to fulfill a difficult contract in the heart of the Swiss alps. Posing as a singer, Lucretia will have to appear on the scene of the higly exclusive Festival d'Ermeux and try to kill one of her partners: British bariton Alexander Child. Having recently acquired a Scottish distillery, he remains the only obstacle to a strategic pipeline project with considerable economic stakes; having recently won a tough legal battle against British Oil, their last resort is to eliminate him. Complicating everything is Rico, sent by the French contra-espionage, who tries to infiltrate the orchestra and stop the plot against Alexander Child.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

Newlyweds spend the night at a haunted mansion, having had car trouble. When the wife disappears, the husband's rich father sends a team of parapsychologists to get the wife back. Except for the leader, each of the team has a special power... Dr. Donna Hemming is a telekinetic, Anthony Leeds can see things by touching objects, and Heather Siris is sexually irresistible to both the dead and the living. They soon discover a Civil War general has made a pact with the devil, if he can only find a virgin for the devil to procreate with.

Requiem is set in 1605, against the backdrop of the witch trials. It's a coming of age story, following Evelyn as she engages in a game of cat and mouse against her father, Minister Gilbert, in order to be with Mary, the woman she loves.

When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.

Through interviews filmed over four years, Noam Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality – tracing a half-century of policies designed to favor the most wealthy at the expense of the majority – while also looking back on his own life of activism and political participation. He provides penetrating insight into what may well be the lasting legacy of our time – the death of the middle class, and swan song of functioning democracy.

The recording took place in Teatro Farnese di Parma, a kind of "mini-Verona" stage, but under roof. Probably good acoustics. But that doesn't rescue this perfomance of the Requiem mass, the fault is mainly being the conductor's, Yuri Temirkanov. He doesn't at all seems inspired of this work and not interested in whats happens on stage, if judged by the video. Particularly, he seems unintersted in the choir. The tenor, Francesco Meli, delivers a very inspired Ingemisco, but the other soloists are probably affected by the conductor.

1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.

The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.

Filmmaker Werner Herzog combs through the film archives of volcanologists Katia and Maurice Krafft to create a film that celebrates their legacy.

Edy, an insurer with questionable morals, knows his business inside and out, so much so that he is not stingy with all kinds of schemes to help some of his privileged clients collect their spouse's life insurance. However, Edy is tired of this life, which does not really bring him satisfaction anymore. So he decides to end his life. As he tries to do so, he finds himself involved in a dark story.