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Director TSENG occasionally began to record the daily life of her mother, out of the need of completing her documentary assignment at school. The films presents a mother's persistence when facing difficulties and her love for her children. In the meantime, interactions and conversations between mother and daughter are revealed spontaneously.
The path takes me home
Two schoolgirls become bar girls at night to earn money.
Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu, who protects seafarers, on a 9-day, 8-night procession, stopping at several prominent temples along the way. The religious pilgrimage is a round-way journey from the Zhenlan Temple in Dajia, Taichung City to Fengtian Temple in Xingang of Chiayi County on the Western plains of Taiwan. The mesmerising festival takes place every year during the third lunar month and still attracts large masses to this day. The audio track of the film was once banned under the Kuomintang (KMT) due to the film’s inclusion of spoken Hokkien (Taiwanese), giving viewers at the time an altered and suppressed understanding of the event and its cultural significance in Taiwan. Viewers now can revel in the beauty of the Taiwanese language and see the film for the true spirit that it captures.
On the Way Home follows a man on his way home on a rainy night, while cross-cutting the happenings after he returns home: doing laundry in a flooded bathroom, drinking tea, reading, and repeatedly opening and closing the door.
A heartwarming story about an old man who adopts two orphans. The three make a living by performing puppet shows and acrobatics on the streets.
One day after watching a film festival movie, I (the author) said to Chin-Chieh: "If there's nothing serious, I would like to watch another movie." That's when I realized I was classifying "go home" as a big event. February 23, 2023, I walked home on that day. On the way home, I noticed that it became quite ceremonial. The night scenes along the road, the memories of traveling with family, and the "failed" Super 8 images produced at home, all turned into the scenery of memories. At the same time, I also realize that when I am in the space of my home, I impose constraints on myself.
