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Long ago, the most ancient of divine dragons was slain by a human. The mighty dragon accepted its death when suddenly, it was reborn as Dolan, a man who lives in a quiet village. While spending another peaceful day toiling in the fields, he meets Celina, a half-human, half-snake creature looking for a partner. The unlikely duo become friends, but challenges lie ahead that threaten their new bond.

A love story that takes place in the present day and in the past. Tamura Takuro is 27 years old and works as an art teacher at a high school. He is popular among the students. Yayoi is one of the students in his homeroom class. She spends her days without a goal in her life. Tamura Takuro recommends that she joins the art club. One day, Yayoi happens to see Tamura Takuro's sketchbook. The sketchbook contains countless sketches of a woman that Yayoi doesn't know. That woman is Yumiko. Yumiko was Tamura Takuro's Japanese language teacher and his homeroom teacher when he was a 17-year-old high school student. He loved his homeroom teacher.

Maquia is a member of a special race called the Iorph who can live for hundreds of years. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief. One day the kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality to his bloodline. They ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato. It soon dies, and she is left deserted in a forest, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her.

Teppei has been living an ordinary and humble life, but soon he learns that his wife, Natsuyo, has inherited 4.8 billion yen. Why did she hide it from him? Scarred by the battle at his company, can Teppei turn the tables in the second half of his life?

“Who is the last person you would like to see？” When junior high school teacher Sakuraba Ayako wakes up, she sees a man standing there. Calling himself a guide of this mysterious place that extends in front of them, he tells her that this is “goodbye’s other side”. As his words sink in, Ayako recalls that she has died. She lets slip that she had never thought she would die in this manner. Visitors to this other side can meet people of this world one last time within a 24-hour time period. Ayako immediately thinks of her son Yuta and husband Hirotaka. However, the guide says the ones she can meet are only those who still do not know about her death. Ayako goes to the house of her former teacher Ishibashi Nobuyoshi. She is greeted by his daughter Megumi, but Nobuyoshi passed away about two years ago…

The basis for the drama is the novel “Kashikogi” by author Cho Chang-in, which has sold 2 million copies in Korea since its publication in 2000. It has already been adapted as a television drama and a stage play in that country. On February 4, Shogakukan is publishing the book in Japan under the title “Good Life.” Sorimachi plays the part of Daichi Sawamoto, a newspaper reporter who has always prioritized his work over his family. When his wife suddenly leaves him, he finally notices the love he has been receiving from his son. Just as he decides to answer back, it is discovered that his son has leukemia.

After Satoru Watarai graduated from elementary school, he dropped out of school and decided to live within his apartment complex, never to venture outside. Satoru Watari then meets his old friends as they are coming back from their middle school classes. Satoru has now gotten a job at a cake shop within the apartment complex and eventually gets engaged to one of his friends. Satoru, still lives within the apartment complex only, but, as time passes, more of his friends leave ..

Kouta Fujioka is a 29-year old man who has a good family, including his father who always supports him, his mother who enjoys cooking, and his older sister with her bright personality. He also has a girlfriend named Etsuko Tanebe. Kouta wants people to eat delicious foods made by him and begins a job as an apprentice chef at a restaurant. One day, Kouta suddenly passes out and is sent to the hospital, where he is diagnosed with malignant lymphoma, completely changing his life. Given three months left to live, Kouta makes up his mind, with the support of his family and those he meets at the hospital, to accept his fate and "face a proper death".

The world's first human-android acting duo, called Android Theater Project, is the collaborative brainchild of noted Japanese playwright Oriza Hirata and the leading robotics scientist Hiroshi Ishiguro. "Sayonara" is a remakable android play and has been adapted to feature film by the acclaimed filmmaker Koji Fukada (Hospitalité, Au revoir l’été). In this film project the setting of the story is largely expanded, depicting time and space in a way which can only be achieved in film, examining life and death though the communication between dying human and immortal android.

A young botanical researcher moves to the highlands to collect plants for research, and falls in love with a nurse there.

Miyazaki, Shibata, Sueda and Chen work in humdrum jobs at a factory on Awaji Island. Each day leaves them a little older, with nothing of significance disturbing the dull routine of their lives - until Sueda discovers that the company president is evading tax on an industrial scale. An escape drama from depression. A crime movie that depicts a new daily life that awaits beyond that line.

A touching story of a girl who sails away from her love to keep her family together.

One day, five kindergarten children suddenly disappear from a kindergarten in Tokyo, sending their teachers and parents into a panic. The five of them are connecting on trains and headed to an unfamiliar place for some purpose. Before their journey, they had made a promise to each other “not to cry no matter what happens”

A documentary anime retelling the shipwreck of the freight boat Tsushima Maru, which was carrying 836 schoolchildren home in July 1944 when it was attacked and sunk by an American submarine. Produced by the surviving family members of the Tsushima Maru.

Mother, I'm going to make a film. I can't accept the death of my beloved mother. I was able to film her while she was fighting the disease, but I couldn't film her face when she died. Her love for her mother and her dilemma with herself. I am the one who turns the camera on myself, entrusting my wavering feelings to making a film. She moves back and forth between her boyfriend and her sex partner, whom she met after being seduced by him, while groping for her mother and her reasons for making a film. The film is a semi-documentary about "sad reality and me", but without a whiff of tragedy or self-deprecation. In the director's own words, "I let the film faithfully reproduce my own shaken emotions", and it is clear from the screen that he has probably already found "the end of my shaken self" through this film.

Day before moving. It's raining outside. Former girlfriend suddenly appears in front of me.

A man is a retired security guard at an elementary school. But at night, he tries to sneak into the school. What on earth is going on? The school at night is a little scary, a little kind, and a little crazy.

Focusing on the lives (and a few deaths) of three filmmakers, Rikiya Imaizumi (Their Distance, Sad Tea) tackles weighty themes in this new ensemble drama set in Tokyo and Fukushima. Director Kajiwara, struggling to earn a living from film, gets an offer to do a music video. But it doesn’t go well and he finds himself in an unexpected situation. Actress Aoba witnesses her filmmaker boyfriend's suicide and decides to hide his body. Gardener Taro plans to close the family business he inherits from his father, but receives a phone call one night from the self-declared girlfriend of his estranged twin, Jiro.

Johane, the only survivor of a mass suicide, invites people on a bulletin board to die with him.

EVANGELION is coming to an end. NHK spent 4 years with exclusive access to director Hideaki Anno, documenting the creative process behind the final EVANGELION: 3.0+1.0 THRICE UPON A TIME. For the first time, the camera is allowed inside Anno's studio. The documentary attempts to capture why master filmmaker Hayao Miyazaki (STUDIO GHIBLI) describes him as one who sheds blood for his films.