Élégie Streaming Avec Sous Titres En Français

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Born in the Chinese state of Lu in 551 B.C., Confucius is raised by his mother after his father dies when he is only three. He marries at 19 and enters the service of the local nobility. At 32, he becomes tutor to the Prince of Lu's children, eventually becoming a politician at 51. His career peaks are the roles of Lu's justice minister and eventually prime minister. The land prospers for four years, but Confucius grows disenchanted with court intrigues. For the following 12 years, he wanders the neighboring states, offering advice to their rulers.

In the aftermath of her friend's passing, an artist processes her grief by making a film. She weaves her personal archival footage and an unfinished science-fiction narrative into a deeply raw and emotive work of art.

Mashiro works for a law firm in Kagurazaka. It takes 2 hours for him to commute one way. Kyoko works at the counter in a real-estate agency in Yurakucho. It takes 2 1/2 hours for her to commute one way. They meet each other in a 'double-suicide room' in Nishi-Shinjuku on a pre-arranged day. They are in love and planning to die together.

Tõnu Kõrvits is a composer in his fifth decade who doesn’t open up easily. Though he is one of the most performed Estonian composers, Tõnu prefers to remain in the shadows. His person and music carry a secret that only unravels for those who can see behind the words, who forget themselves in the music and let the sounds Tõnu created take them along on a mystical, poetical journey that changes anyone who arrives at the end. The film “Moorland Elegies” is named after Tõnu’s nine-part choir cycle, based on Emily Brontë’s almost gothic, dark poetry, that invokes spiritual conditions delicately translated into natural imagery. Tõnu’s enchantingly powerful “Moorland Elegies” has been one of the most sold classical records on the Amazon charts and forms the musical and material core of the film. This is a film about a composer, his music and the people who are deeply touched by his music.

Elegy of the Uprooting condenses two decades of work by Eleni Karaindrou into what the Greek composer calls a “scenic cantata.” This is no mere retrospective, but a gravid musical statement in which the listener’s soul is carefully unfolded to reveal the sounds hidden within. Excerpting 13 scores for film and stage, this concert pulls out the red threads running through Karaindrou’s non-diegetic oeuvre with stunning video and audio clarity.

Jiabiangou Elegy recounts the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, and examines the way the victims’ final affairs were handled. During the Anti-Rightist Campaign of 1957–59, over three thousand people were sent to Jiabiangou for re-education through labor. These people were labeled rightists, counterrevolutionaries, and anti-party dissidents. Over a three-year period, more than two thousand died from abuse and hunger; only a few hundred were rescued in the end. The film includes interviews with the few remaining Jiabiangou survivors and their children, and presents the conflict between the preservation and destruction of memory.

Based on the poem "Elegia 1938" (by Carlos Drummond de Andrade), narrated by Caetano Veloso.

In this film you will see labour emigrants from Uzbekistan who for many years have been working in a car wash and a vehicle service station in Almaty (Kazakhstan).

Artist Dorward Akopyan is walking in autumn park, remembering the long way to the main dream of his life.

Saura creates and recovers more than thirty images, drawings and photographs that he prints, manipulates, plays with and subsequently films, to produce a story which, while recreating the Spanish Civil War, could also reflect the horrors of universal conflict, seen through the eyes of a child and his surroundings.

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

A requiem for a Russian peasant woman, Maria Semionovna Voinova. The film is in two chapters. The first chapter consists of an impression of Maria Semionovna, scenes of the colours of summer time: hay–making, bathing in a river, work in the flax fields and a holiday in the Crimea. The second chapter, set nine years later, is in black and white and deals with how Maria Semionovna's life ended. The mood is one of a sad and elegiac narration.

On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.