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"Rocky" is a small business that does it all from deliveries to repairs. The company is run out of a small office by Koichi Yamada (Takayuki Suzuki), Yumiko Suzuki (Akemi Darenogare) and Tsutomu Sato (Fumitaka Terai). They also have day-care center for their regular customers. One day, grandparents take a young boy from the day-care center after learning their daughter is raising him by herself.

Experimental work by Isao Yamada (Color, 8mm).

Ammawarune ("Elegy for a Mother") is a poignant study of a widowed mother Sumanawathi and her relationship with her three grown-up children. Her elder son Kassapa is a young monk leading almost a cloistered, monastic life in an isolated temple. Though his relationship to his mother appears cold and formal, it masks a filial affection which is unrivaled by any. Daughter Premalatha has alienated herself by marrying a man of her choice, a man who practices the occult much to the discomfort of the family. Saliya, the youngest son, an unemployed youth joins the Army due to circumstances beyond his control. Bewildered by the tragic events that follow, Sumanawathi's world begins to collapse Gradually and inevitably she retreats into a world of solitude and silence.

Simon, a painter, regains the use of his hands thanks to therapy administered by Ren. Later, when Simon is kidnapped by communists and forced to paint a portrait of Stalin, Ren again helps him by assisting in his escape. Simon's wife, however, is less than pleased at their growing friendship and becomes determined to keep them apart.

Second film in the 'Elegy' trilogy.

Third film in the 'Elegy' trilogy.

A TV Movie dedicated to one of the greatest Macedonian poets - Kočo Racin.

The daughter of a poor farmer leaves the village for the city. One day, her older brother, who previously wandered, comes to her. Disillusioned with city life, the brother and sister return to their native village.

The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died when it was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels of copies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosity of young Federico will force them to come face to face with themselves.

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

1959 Shintoho adaptation of Kyoka Izumi's novel "A Woman's Pedigree".

A lonely, terminally ill woman arrives in a small village with one wish - to buy a tree from the orchard. All circumstances are against her - the owner is away, his wife is pregnant and barely agrees to help her. After much choosing, the elderly woman settles on a fifteen-year-old linden. And again a strange wish. Let the tree stay in its place. It will be the only thing left after her death.

The film documents a filmmaker’s experience with his father’s death due to Alzheimer’s disease. Taken from a personal perspective, the filmmaker gives a first-hand look at how his family dealt with his father’s worsening Alzheimer’s disease and eventual death, leading him to realizations about memory, familial relationships, and his own mortality. The film delves into the importance of memories in the human experience – how the ability to remember makes us feel alive, how its power can hold us, and how memory gives us what we need to feel and be human.

A Dai elder rescued Nana, a wounded elephant calf from fierce poachers. He mended Nana's scars, nurtured her back to health, and ultimately released her back into the wilderness.Years later, Nana the elephant calf, who had now become the leader of a herd, sensed the elder's passing.She guided her kin through rugged terrain, only to honour the elder with a final, heartfelt elegy.

an elegiac rumination on loss of memory. The filmmaker reflects on the experience of seeing his grandmother gradually lose her memory over time by weaving across archives and footages, utilizing the film as a medium for recollections even when they are at their most unsalvageable.

Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others.

The images you are watching were shot by Domenico Notarangelo, who was correspondent for the communist newspaper “L’Unità”. He has documented over time the customs and traditions of Southern Italy villages. 1969. Accettura, a few kilometres from Matera. Whitsunday. A big Turkey oak, cut down on Ascension Day, is tied to yokes of oxen and dragged out of a wood. In another wood, a holly is carried by peasants on their backs. In the evening, these trees meet in the village. The following Tuesday, the treetop, the “Cima”, is grafted onto the Turkey oak, the “Maggio”: it’s the marriage of trees. Meanwhile, the procession of the patron saint makes its way along the village streets, preceded by a group of women who carry votive constructions on their heads. At sunset, the bravest climber, Zizilone, climbs up and reaches the treetop.

Summary of the first TV-Series.