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"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.
For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.
After the French defeat of 1870, Julia took three years to love Alexander, with whom she married for her fortune. Alas, when Julia wants to declare his love to her husband, the latter confesses to him that his passion is extinguished.
Sisi, Coco and Juju are three women from very different backgrounds. The first one, on the outs with her husband, is always ready to take on all the misery of the world. The second, a waitress, is eager to find her fiancé, Jacques. As for the last one, she is coming back from the funeral of her uncle, who left her a gas station. Except that Juju's uncle is none other than Jacques, Coco's fiancé, who is not aware of her death.
Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.
Three places in which men meet, share a moment, filling the emptiness of Tbilissi's daily life. At the baths, at the barber's or in an empty house haunted by three swallows, speech flows in enclosed spaces. The director observes and captures the intimacy of the words, the obviousness of the gestures and the unexpectedness of the events. A metaphor for liberty, the absolute dream of contemporary Georgia.
The Three Musketeers (French: Les trois mousquetaires) is a 1959 French TV film based on a play adaptation of the 1844 novel by Alexandre Dumas. It is notable for featuring Jean Paul Belmondo in the lead.
