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In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
A lyrical evocation of times past and a reflection on the inevitable passing of time through the recollections of an old fisherman.
Two students (Audrey Rocard, Joris Masson) are apprehended following the enforcement of a college take over by three overly zealous school inspectors (Claude Madelon, Jean-Claude Eygreteau, Yannick Moreau).
Notes on the inception and making of Hail Mary.
Shirt film by Claire Denis
Fernand Deligny speaks of the object of his observation: autism. He talks about it as the researcher he is, with approximations, questions and gives us the most accurate picture possible. By successive keys, he brings us into the troubling enigma of a world without language. He puts us on the watch, with him in an unknown land. He addresses the filmmaker Renaud Victor and Renaud Victor share his dazzlement: he films intelligence at work.
Serge Daney (1944-1992) expressed himself strongly about the world, using the tools of a "Barthes cinema lover in early retirement" as he used to call himself. Co-writer of the book "Devant la recrudescence des vols de sacs à main", Pilippe Roger has filmed Serge Daney confronting him with four major stages in the evolution of cinema : by screening extracts from films by Chaplin, Stevens, Eustache and Truffaut, adding rhythm into this vivid and intelligent, strict but piercing documentary. Serge Daney takes risks : he rushes forward, plying between ethic and aestheticism, destruction and salvation, past and present, Europe and America, fantasy and reality, cinema and psycho-analysis, literary and technical languages, watching and showing. There's enough material here to reconsider the video.
A short documentary on the making of Blade Trinity.
It's midnight at the bookstore and all the book and magazine characters are coming to life. When a bulldog from an adventure book uses a Boswell Sisters-like performance by girls in a travel magazine as a distraction to rob a bank, he is chased, caught, and sentenced to, of course "Life" (the magazine). But there's also a conveniently placed "Escape" magazine....
