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1988 / color / sound / 1S / 45' 00
During the period Le Pen was running for president, this documentary juxtaposes testimonies from several Algerians who attest they were tortured at his hands while he was a lieutenant in the war.
Shirt film by Claire Denis
Esquisses Helléniques pour "A propos de la Grèce" is a filmed diary which is a summer journey through the Greece of Athens and the islands. This film served as a preparation for the feature film, A propos de la Grèce.
Fernand Deligny speaks of the object of his observation: autism. He talks about it as the researcher he is, with approximations, questions and gives us the most accurate picture possible. By successive keys, he brings us into the troubling enigma of a world without language. He puts us on the watch, with him in an unknown land. He addresses the filmmaker Renaud Victor and Renaud Victor share his dazzlement: he films intelligence at work.
Some students get together to shoot a zombie movie. The shoot turns out to be uninviting, and the disgruntled actors try to avoid it.
This video attempts to resolve an ethical dilemma that has been persisting in my life for a long time: see my father after twenty years of absence or be done once and for all with this story.
Back when sexuality was a "source of life" and free from contemporary prejudices. A short essay film documenting a radical historiography of women's sexuality through artwork from the ancient Asian hemisphere.
A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2011.
In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969), based on the first play ever written by Bertolt Brecht. He describes his working relationship with Rainer Werner Fassbinder and his group of actors and how the Brecht family hated the film when it first came out, resulting in BAAL’s inavailability for over 40 years.
Russia, its culture and conflicts, the 1920s and 1930s, the avant-garde movements persecuted by the authorities. Gianikian and Ricci Lucchi open the precious workshop of their creation to us: old films, photographs from the Tsarist era, the Russian Revolution, and the years that followed, Angela Ricci Lucchi's watercolors, comments, texts (Chekhov, Anna Akhmatova, Nina Berberova, Tolstoy, Shklovsky, Pushkin, Mandelstam), fairy tales for children. And then the figures encountered during their travels in Russia, “living archives” to whom the two filmmakers want to restore presence and voice. In this way, we discover the materials that feed their new film, in preparation, "Journey in Russia" (2017), making this, as the suffix of the title indicates, "A propos de," "About," a sort of catalog. Gradually, however, these notes acquire an autonomous dimension that encompasses a poetic universe: the intimate sphere of the artists.
The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.
Respected lawyer, Henry Turner survives a convenience-store shooting only to find he has lost his memory, and has serious speech and mobility issues. After also losing his job—where he no longer 'fits in'—his loving wife and daughter give him all their love and support.
A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.
A dense work, citing everyone from Tarantino and Verhoeven to Artaud and Chaplin, made for Godard's exhibition at the Centre Pompidou, Voyage(s) en utopie.
A short documentary on the making of Blade Trinity.
It's midnight at the bookstore and all the book and magazine characters are coming to life. When a bulldog from an adventure book uses a Boswell Sisters-like performance by girls in a travel magazine as a distraction to rob a bank, he is chased, caught, and sentenced to, of course "Life" (the magazine). But there's also a conveniently placed "Escape" magazine....
Because of a mentally ill mother and abusive relationships, Sara's attempts at happiness turn increasingly selfish and desperate, until her image of a happy life shatters completely.
