À Prop

In Bucharest, Allison is protecting the mysterious bible, "The Prophet Lexicon", where the last chapter about the apocalypse, called Revelations, discloses the name of the Antichrist in its last page. Meanwhile, the evil and jealous leader of the renegade angels Thrones, Stark, forces the hit-man Dylan to kill Allison to get the information about the Antichrist, but Dylan mysteriously feels attracted by the woman, protecting her against the Thrones. Allison seeks John Reigart for help, but Satan tell her that he is interested in the apocalypse to gather millions of souls to Hell. Alone and betrayed, Allison discloses the truth about her origins, while protecting the Lexicon.

Briell, the 65th wife of prophet Warren Jeffs, details her time living – and surviving – in the FLDS Church. Briell's story exposes the darkest secrets of the polygamist cult.

There's trouble in Frankie Diomede's criminal empire in Genoa. A French gangster has moved into his territory, so he flies home to take care of business. He promptly has himself arrested so that he'll have the perfect alibi when the bodies start piling up. But it turns out his enemies have enough juice to keep him in prison, his associates start dying and the attempts on his life start. Cue Tony Breda, a wannabe wiseguy, who has a plan to spring Frankie from jail.

It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously raging elements. People and animals alike are dragged through this incredible whirlpool of an adventure.

Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

On Valentine's Day, the romantic Icaro wants to propose to his girlfriend Vanilla in their favorite restaurant. But chef Dimitri pulls out all the stops to make sure young Icaro fails.

The farmer Knut Husaby has a daughter, Aslaug, who is the most beautiful girl in the village. Many boys are after her, but Knut and his two sons drive them away, if they come too close to the farm. Aslaug is secretly in love with Tore Naesset. But he is only a smallholder's son, and when he asks for Aslaug's hand, her father just laughs at him. Instead her father wants Aslaug to marry Ola Thormundson, a gawky boy, who is the son of the wealthiest farmer in the village. Aslaug brings her family's cattle to the Husaby summer farm up in the mountain. Only one road leads to the summer farm, and it passes right by the main farm. When Tore returns from a visit to Aslaug in the mountains, Knut and his sons beat him black and blue. As it's impossible for him to use the road anymore, Tore has to figure out another way to go to Aslaug. Next Saturday he crosses the fiord in a rowing-boat. He stops at a fifty meter high wall of rock, and starts climbing it, hoping to reach Aslaug at the top.

Hunter Phaldor and archaeology student Melis, brought together by a prophecy, embark on a fantastic journey towards the fate of the world.

Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.

Raja Raja Kammath and Deva Raja Kammath are two brothers who owns a chain of restaurants that specializes in making Dosa. The story begins when they come to Palakkad to open a new restaurant.

The video, Proposition d'habitation, offers a demonstration of the use of a series of cells forming living spaces, which the artist Absalon designed for his own use. It consists of 6 models at scale 1, reduced dimensions, custom-built for the artist's size and build. These are simple geometric shapes, covered in white plaster or paint, which make no claim to any particular function. These white houses, immaculate and asexual, invite their unique protagonist, Absalon, to isolation and introspection.

The parents' violence on their children. Father and mother can each have hidden violence in the family universe.

In the midst of forced migrations, can we move past our animosity to find solace in each other?