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New York, 1941, shortly before the US enters the war. Stevie Mayer is an intelligent twelve-year-old who’s father suddenly disappears after being chased by two threatening men. Alone and unprotected, Stevie is left with a mysterious suitcase that everybody wants and nobody is who they claim to be. Thrown headlong into a mind-twisting plot, Stevie begins to suspect that his father is part of ring of Nazi spies. With the help of Miriam, a young Jewish refugee in his class, Stevie attempts to unravel the puzzle that leads to an explosive conclusion. It is a tale of non-stop adventure and a budding young love.
Critically and with a great deal of openness, six Parisians ponder how they perceive their place in the public space of the metropolis. The mosaic of stories, from an older trans activist’s experience to the encounters of a young queer artist with a handicap, brings a very direct and sincere insight into the lives of LGBTQ+ people in France today.
Samuel is sensitive. Samuel is lonely. Samuel only lives for hardcore punk music and horror movies. Samuel suffers from being misunderstood. Samuel often recalls his ex-girlfriend, Eva. Samuel, in painful moments, also speaks to the Devil.
In the 70s, Amanda Lear was a disco queen, pop icon, model and world star. She enchanted Paco Rabanne, Andy Warhol, Bryan Ferry and David Bowie. She lived with Salvador Dalí and went out with Brian Jones of the Rolling Stones. A born performer, with legendary mystique and charm, she kept her true self hidden behind numerous faces. From Bowie to Berlusconi, from London to Paris: the story of Amanda Lear is also a story of the second half of the 20th century.
A married father of three tries to maintain his manliness in a world increasingly dominated by women.
A nightclub waiter and a manicurist share the same room, he sleeps there by night and she by day. They meet by chance, not knowing who's who, and fall in love.
A silky roman-photo through forest, winter and warm nymph mysteries.
“Sabine Massenet invented proletarian electronic ornithology.” (Marc Mercier)
Two atypical characters, one red and one blue, try to communicate. Were it not for Alain's shyness and Rosalba uncontrollable body behaviour whenever she hears a song, a love story could happen. But between the ebbs and flows there is a tiny space. In this major work, Le Quellec entertains and moves us and we feel like saying: the secret is in the pin!
This spooky anthology series for kids recounts ghost stories told by the young members of the Midnight Society as they gather around a campfire. Each episode opens with members of the Midnight Society at their secret spot in the woods, where they prepare their fire and the night's storyteller announces the title of the his or her offering. However, the cameras soon leave the storyteller and switch to the tale being told.
In the first half of the 1990s, Drissa Touré was an auteur fast on the rise, with his first fiction feature, Laada (1991), celebrating its world premiere in a Cannes sidebar, from whence it went around the world, Rotterdam included. Touré's next narrative project, Haramuya (1995), was again welcomed warmly and seen widely. But what happened then? How could an obviously gifted filmmaker from one of world cinema's true hubs, Burkina Faso, not find the means to continue? How did Touré end up riding a motorcycle, doing deliveries and errands? The fact that only a few years after Haramuya's release, Atria, the organisation where Touré deepened his technical knowledge of filmmaking, was closed down as the last francs of support were cancelled suggests that Touré's story is also a symptom of something more structural and grim.
